In this thrilling chapter in Faye Kellerman’s bestselling series, Rina Lazarus makes a shocking discovery in the woods of her upstate New York community that leads her husband, police detective Peter Decker, through a series of gruesome, decades old, unsolved murders, pointing to a diabolical, serial killer who’s been hiding in plain sight.
On a bright and crisp September morning, while walking a bucolic woodland trail, Rina Decker stumbles upon human remains once buried deep beneath the forest grounds. Immediately, she calls her husband, Peter, a former detective lieutenant with LAPD, now working for the local Greenbury Police. Within hours, a vista of beauty and tranquility is transformed into a frenetic crime scene. The body has been interred for years and there is scant physical evidence at the gravesite: a youthful skeleton, a skull wound and long dark strands of hair surrounding the bony frame. As Decker and his partner, Tyler McAdams, further investigate, they realize that they’re most likely dealing with a missing student from the nearby Five Colleges of Upstate—a well-known and well-respected consortium of higher learning where Rina works.
And when more human remains are found in the same area, Decker and McAdams know this isn’t just a one-off murder case. Short-staffed and with no convenient entry into the colleges, Decker enlists Rina’s help to act as the eyes and ears of campus gossip. Winding their way through a dangerous labyrinth of steely suspects and untouchable academics, Decker, McAdams, and Rina race to protect their community from a psychopathic killer still in the area—and on the hunt for a fresh victim.
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“Narrator Richard Ferrone uses appropriately softened tones to show the relationship between the couple, and he also captures subtle moments as the main characters interact with minor ones…He does especially well with a whiny college professor and a private bodyguard, whose voices deftly reflect their personalities. As Decker and his former partner chase assorted leads to zero in on the killer, secondary characters from Decker and Lazarus’ past slip in and out of the plot, offering fodder for a well-crafted narration.”
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