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Kensey Lyons has never had "normal." Instead, she has a mother who lives in her head, a stepfather who's on death row, and the stigma that comes with being the child of an extramarital affair. Writing has always been her escape. Knowing the reception her books receive will be tainted by her personal life, Kensey secretly writes under a pen name when she's not working part-time at her godmother's bar. Her world might not be exciting, but she likes it exactly as it is.
When she meets alarmingly compelling businessman Blake Mercier, the snap of attraction is instant. She doesn't like it. Doesn't want to be drawn to this man who is blatantly dangerous, carries dark secrets, and lives life by his own rules. Neither of them make a great first impression on the other, so she's more than surprised when he begins to pursue her with a single-minded focus that is unsettling, thrilling, and infuriating. Her gut tells her to keep her distance, but Blake won't let her run. Won't give her space.
There's another person who won't give her space. Someone who has discovered the secret of her pen name and who seems intent on taunting her. And as Kensey struggles to identify her persecutor, Blake is by her side, determined to keep her safe . . . because Blake Mercier always holds tight to what's his. Always.
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About Suzanne Wright
Suzanne Wright can’t remember a time when she wasn’t creating characters and telling their tales. Even as a child, she loved writing poems, plays, and stories. As an adult, Wright has published Here Be Sexist Vampires, The Bite That Binds, Taste of Torment, From Rags, Consumed, and the first three books of the Phoenix Pack series. Her only rule in writing a book is that it has to have a happy ending. Wright was born and raised in England and now lives in Liverpool with her husband and two children.
About Samantha Cook
Samantha Cook is a bookaholic obsessed with novels about strong, sexy, smart women. Audiobook narrating was as natural a choice as breathing. When not recording in her LA studio, she can be found wandering the museums of Paris, imagining herself as a Degas dancer, Chateaubriand’s Atala, Canova’s Psyche, David’s Josephine, or Venus (preferably with arms intact).