" Almost didn't buy this because her last book sucked so much. This one wasn't nearly as bad, but still wasn't that good. The main problems with this one is that Goldy has no plausible reason to be involved with the investigation, that she goes about it in such a haphazard way, and she leaves the vital clue lying around for a week, only to discover it just as the killer comes to polish her off. Then there's the fact that she and her husband Tom have multiple conversations where they tell each other things they should already know, and the strained dialog (like when Goldy asks a young woman if the murdered girl had had any "romantic liaisons"). I really enjoyed this series more when Goldy had real obstacles to overcome and her involvement with the murders was more immediate and personal. "
— Meredith, 1/27/2014