Margaret Maron, New York Times bestselling author and Mystery Writers of America Grand Master, returns to Colleton County with an exciting Deborah Knott mystery . . . LONG UPON THE LAND On a quiet August morning, Judge Deborah Knott's father Kezzie makes a shocking discovery on a remote corner of his farm: the body of a man bludgeoned to death. Investigating this crime, Deborah's husband, Sheriff's Deputy Dwight Bryant, soon uncovers a long-simmering hostility between Kezzie and the slain man over a land dispute. The local newspaper implies that Deborah's family may have had something to do with the murder-and that Dwight is dragging his feet on the case. Meanwhile, Deborah is given a cigarette lighter that once belonged to her mother. The cryptic inscription inside rekindles Deborah's curiosity about her parents' past, and how they met. For years she has wondered how the daughter of a wealthy attorney could have married a widowed, semi-illiterate bootlegger, and this time she's determined to find the answer. But why are Deborah's brothers so reluctant to talk about the dead man? Is the murder linked to Kezzie's illegal whiskey business? And could his courtship of Deborah's mother have something to do with the bad blood between the two families? Despite Deborah's promise not to interfere in Dwight's work, she cannot stop herself from doing everything she can to help clear her brothers and her father from suspicion . . .
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In MWA Grand Master Maron's outstanding 19th mystery featuring judge Deborah Knott of North Carolina's Colleton County (after 2012's The Buzzard Table), Deborah's elderly aunt, Rachel Morton, lies near death in a hospice. Rachel attracts a crowd of friends and relatives as she talks of "babies, fires, and unpaid debts, of someone who beat his wife and of cowbirds and vegetables and broken jars." A distraction allows a killer enough time to slip into Rachel's room and smother her with a pillow, thus ending her ramblings, which apparently concealed deadly secrets. Unraveling those secrets-some 60 years old-is a slow, difficult process with lots of suspects among friends and family. Maron achieves a delicate balance as she explores differences between mistakes, sins, and crimes, and shows that justice is not always arrived at by conventional means. Humor (e.g., Deborah outfoxes an unscrupulous auctioneer) and social issues (e.g., the difficult role of caregivers to the elderly) add to the warmth of a large family with all its foibles, squabbles, and quirks.—Publishers Weekly (Starred Review)
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