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Though the year is flower-powered 1968, or 20 years removed from the life-threatening scuffles of Devil in a Blue Dress, life is no less easy for a black man in L.A. to 'pass from white dreams into black and brown realities'...As ever, Easy finds a way to rise above such circumstances — and the heartbreak of losing Bonnie to a marked-for-death African royal who needs her more than he does — and cling to his sense of decency.
— Lloyd Sachs, Chicago Tribune
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I'd know that voice anywhere. It's the seductive drawl and lowdown dirty laugh of Walter Mosley's mellow private eye, Easy Rawlins. And he's talking his way through another case in Charcoal Joe...because he isn't ashamed to declare himself 'a man of strategy'— a man unfraid to lower his fists and use his brain.
— Marilyn Stasio, New York Times Book Review
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Picking up where his last adventures in Rose Gold left off in L.A. in the late 1960s, Ezekiel “Easy” Rawlins finds his life in transition...Between his new company, a heart that should be broken but is not, a whole raft of new bad guys on his tail, and a bad odor that surrounds Charcoal Joe, Easy has his hands full, his horizons askew, and his life in shambles around his feet.
— Criminalelement.com
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Picking up where his last adventures in Rose Gold left off in L.A. in the late 1960s, Ezekiel “Easy” Rawlins finds his life in transition...Between his new company, a heart that should be broken but is not, a whole raft of new bad guys on his tail, and a bad odor that surrounds Charcoal Joe, Easy has his hands full, his horizons askew, and his life in shambles around his feet.
— Readincolour.com
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In his 14th Easy Rawlins mystery (after Rose Gold), Mosley returns to L.A. in the late 1960s, with its racial unrest and discrimination...The story continues with more deception, murders, and violence. Like peeling an onion, Easy uncovers the truth one layer at a time...Mosley's exciting and profound mysteries with their poetic prose and historical clarity fascinate readers because Easy moves so smoothly among different worlds. His latest will please his many fans.
— Jerry P. Miller, Library Journal
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In Charcoal Joe, this series’ army of followers will happily recognize the case as the mere backdrop for Easy’s emotionally charged story, insightful lens into L.A.’s 1960s streets, and always-impressive mental acrobatics.
— Booklist
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[Charcoal Joe] is a must for Easy Rawlins fans and anyone who appreciates fresh, powerful prose. —Publishers Weekly [Starred]
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Fasten your seat belts. It's time for another simmering tour of Los Angeles, this time in 1968, with Ezekiel "Easy" Rawlins serving once more as the unwilling guide. Read Mosley…for his matchless ability to present mosaic worlds in which even the most minor characters arrive burning with their own unquenchable stories.
— Kirkus Reviews
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"[Charcoal Joe] is a must for Easy Rawlins fans and anyone who appreciates fresh, powerful prose.”
— Publishers Weekly (starred review)
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“Narrator Michael Boatman[‘s] comfort with the author’s style and the title character’s swagger make Charcoal Joe a captivating listen…Boatman illuminates all of Mosley’s little gems. The author’s wit and sarcasm are enhanced by a narration that envelops the listener in 1960s Los Angeles. Both longtime Mosley fans and new ones will take another drive or walk around the block just to listen a little longer. Winner of the AudioFile Earphones Award.”
— AudioFile
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“Like peeling an onion, Easy uncovers the truth one layer at a time…Mosley’s exciting and profound mysteries with their poetic prose and historical clarity fascinate readers because Easy moves so smoothly among different worlds. His latest will please his many fans.”
— Library Journal
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“[An] emotionally charged story [with an] insightful lens into LA’s 1960s streets, and always-impressive mental acrobatics.”
— Booklist
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“Fasten your seat belts. It’s time for another simmering tour of Los Angeles, this time in 1968, with Ezekiel ‘Easy’ Rawlins serving once more as the unwilling guide. Read Mosley…for his matchless ability to present mosaic worlds in which even the most minor characters arrive burning with their own unquenchable stories.”
— Kirkus Reviews