-
“A heady stew of racial politics and seedy characters that Mosley’s fans are sure to eat up.”
— AARP magazine
-
“Great stuff…The vibrant characters and pulsating dialogue are primo Mosley.”
— New York Times Book Review
-
“Mosley is back with a whole new character to love…As gorgeous a novel as anything he’s ever written.”
— Washington Post
-
“A wild ride that delivers hard-boiled satisfaction while toying with our prejudices and preconceptions.”
— Los Angeles Times
-
“Graham steps in to create the variety of local accents needed to bring the characters to auditory life…[with] thoroughly credible and evenly maintained accents and pacing.”
— Booklist (audio review)
-
“Think rich, dark, smooth red wine—each sip revealing different tones. That is Dion Graham’s voice performing Mosley’s PI, Joe King Oliver. His voice projects the violence, fear, and frustration that Oliver, an honest cop, experienced ten years ago…Graham is skilled at delivering female voices [and] the dialogue between people of different races, levels of education, and types of work flows flawlessly, making for highly engaging listening. Winner of the AudioFile Earphones Award.”
— AudioFile
-
“A well-constructed crime novel…Mosley makes it all look simple, creating in Joe King Oliver another fascinatingly flawed detective brimming with potential.”
— San Francisco Chronicle
-
“Gritty…The plot soars…Few mystery writers can examine issues of race—how it divides and binds people—as clearly and unflinchingly as Walter Mosley.”
— Associated Press
-
“Mosley writes with great power here about themes that have permeated his work: institutional racism, political corruption, and the ways that both of these issues affect not only society at large but also the inner lives of individual men and women.”
— Booklist (starred review)
-
“The novel’s dedication—to Malcolm, Medgar, and Martin—underlines the difference that one man can make in the fight for justice.”
— Publishers Weekly (starred review)
-
“Mosley writes with great power here about themes that have permeated his work: institutional racism, political corruption, and the ways that both of these issues affect not only society at large but also the inner lives of individual men and women.”
— Booklist (starred review)
-
“Taut, brutal, and filled with author Walter Mosley’s trademark mix of imperfect winners and losers, Down the River unto the Sea introduces a new hero: the complicated and endearing New York detective Joe King Oliver.”
— BookPage
-
Walter Mosley is back with a whole new character to love. . . . As gorgeous a novel as anything he's ever written. And with Joe King Oliver I'm betting, and hoping, he's given us a character we haven't see the last of.
— Richard Lipez, Washington Post
-
Gritty . . . The plot soars . . . Few mystery writers can examine issues of race--how it divides and binds people--as clearly and unflinchingly as Walter Mosley.
— Oline Cogdill, Associated Press
-
Great stuff . . . The vibrant characters and pulsating dialogue are primo Mosley.
— Marilyn Stasio, New York Times Book Review
-
A wild ride that delivers hard-boiled satisfaction while toying with our prejudices and preconceptions . . . The darker and uglier the story gets, the more Joe King Oliver comes alive. . . . The journey is fun and joyful. . . . A fitting work for a world riddled with dark contradiction.
— Steph Cha, Los Angeles Times
-
Remarkable . . . Walter Mosley's latest novel [is] all the more relevant in Black Lives Matter era.
— Lloyd Sachs, Chicago Tribune
-
"Down the River Unto the Sea is a well-constructed crime novel, urgent in its plotting and carefully observed in the behaviors and the voices of its supporting cast. Mosley makes it all look simple, creating in Joe King Oliver another fascinatingly flawed detective brimming with potential.
— Michael Berry, San Francisco Chronicle
-
This is one of those books that leaves you a little breathless--not only while you're reading, but once the back cover's closed, too. For anyone who loves hard-bitten PI thrillers, reading Down the River unto the Sea couldn't be more right.
— Teri Schlichenmeyer, Miami Times
-
Juicy
— NPR
-
[An] excellent standalone . . . The novel's dedication--to Malcolm, Medgar, and Martin--underlines the difference that one man can make in the fight for justice.
— Publishers Weekly (starred review)
-
A heady stew of racial politics and seedy characters that Mosley's fans are sure to eat up.
— AARP
-
It's Mosley's signature style--rough-hewn, rhythmic, and lyrical--that makes you ready and eager for whatever he's serving up. . . . Let the good times roll.
— Kirkus Reviews
-
Mosley's poetic descriptions of not only New York City but his character's deepest souls elevate the story to beauty. Although the characters, large and small, are all compelling, in the end it is King's story to tell, as he struggles to decide how much he's willing to risk to get the truth.
— Strand Magazine
-
Mosley's newest standalone has the markings of a classic hard-boiled New York novel... It's also a poignant page-turner whose larger themes--corruption, institutional racism, and the horrors of solitary confinement--speak to some of today's most pressing issues.
— Charles Perry, LitHub
-
[An] engaging standalone . . . Mosley fans will welcome another imaginative page-turning from a mystery grand master.
— Library Journal