The New York Times bestselling author of The Jane Austen Book Club introduces a middle-class American family that is ordinary in every way but one in this novel that won the PEN/Faulkner Award and was a finalist for the Man Booker Prize. Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and Rosemary, who begins her story in the middle. She has her reasons. “I was raised with a chimpanzee,” she explains. “I tell you Fern was a chimp and already you aren’t thinking of her as my sister. But until Fern’s expulsion...she was my twin, my funhouse mirror, my whirlwind other half and I loved her as a sister.” As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence. In We Are All Completely Beside Ourselves, Karen Joy Fowler weaves her most accomplished work to date—a tale of loving but fallible people whose well-intentioned actions lead to heartbreaking consequences. “A gripping, big-hearted book...through the tender voice of her protagonist, Fowler has a lot to say about family, memory, language, science, and indeed the question of what constitutes a human being.”—Khaled Hosseini
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“We Are All Completely beside Ourselves is a dark cautionary tale hanging out, incognito-style, in what at first seems a traditional family narrative. It is anything but. This novel is deliciously jaunty in tone and disturbing in material. Karen Joy Fowler tells the story of how one animal—the animal of man—can simultaneously destroy and expand our notion of what is possible.”
— Alice Sebold, New York Times bestselling author
“In this curious, wonderfully intelligent novel, Karen Joy Fowler brings to life a most unusual family. Wonderful Fern, wonderful Rosemary! Through them we feel what it means to be a human animal.”
— Andrea Barrett, Pulitzer Prize winning author“A novel so readably juicy and surreptitiously smart, it deserves all the attention it can get…[Its] fresh direction and madcap plot bend the tone toward comedy, but it never mislays its solemn raison d’être. Monkeyshines aside, this is a story of Everyfamily.”
— New York Times Book Review“Unsettling, emotionally complex.”
— Washington Post“Fowler has given us the gift of a splendid novel. Not only is the story fascinating, moving, and beautifully written, but it also ripples with humor.”
— Boston Globe“The heart of the novel—and it has a big, warm, loudly beating heart throughout—is in its gradually pieced-together tale of family togetherness, disruption, and reconciliation. We Are All Completely beside Ourselves is Fowler at her best…Utterly captivating.”
— Seattle Times“By the time you get to the last section of the novel, which is absolutely sublime…you will feel as though Rosemary and Fern are your own siblings.”
— NPR, All Things Considered“Achingly memorable…This brave, bold, shattering novel reminds us what it means to be human, in the best and worst sense.”
— Miami Herald“Fowler’s novel is superb.”
— NPR’s Fresh Air“Piquant humor, refulgent language, a canny plot rooted in real-life experiences, an irresistible narrator, threshing insights, and tender emotions—Fowler has outdone herself in this deeply inquisitive, cage-rattling novel.”
— Booklist (starred review)“Rosemary’s voice—vulnerable, angry, shockingly honest—is so compelling and the cast of characters, including Fern, irresistible. A fantastic novel: technically and intellectually complex, while emotionally gripping.”
— Kirkus Reviews (starred review)“Rosemary’s experience [is] a fascinating basis for insight into memory, the mind, and human development…Fowler’s great accomplishment is not just that she takes the standard story of a family and makes it larger, but that the new space she’s created demands exploration.”
— Publishers Weekly“Karen Joy Fowler has written the book she’s always had in her to write. With all the quiet strangeness of her amazing Sarah Canary, and all the breezy wit and skill of her beloved Jane Austen Book Club, and a new, urgent gravity, she has told the story of an American family…This is a strong, deep, sweet novel.”
— Ursula K. Le Guin, award-winning author of Lavinia“You know how people say something is incredible or unbelievable when they mean it’s excellent? Well, Karen Joy Fowler’s new book is excellent: utterly believable and completely credible—a funny, moving, entertaining novel that is also an important and unblinking review of a shameful chapter in the history of science.”
— Dr. Mary Doria Russell, biological anthropologist and author of The Sparrow and Doc“It’s been years since I’ve felt so passionate about a book. When I finished at three a.m., I wept, then I woke up the next morning, reread the ending, and cried all over again.”
— Ruth Ozeki, award–winning author of All Over Creation“It really is impossible to do justice here in a blurb. This is a funny, stingingly smart, and heartbreaking book. Among other things, it’s about love, family, loss, and secrets; the acquisition and the loss of language. It’s also about two sisters, Rosemary and Fern, who are unlike any other sisters you’ve ever met before.”
— Kelly Link, author of Stranger Things Happen and Pretty Monsters“This unforgettable novel is a dark and beautiful journey into the heart of a family, an exploration of the meanings of memory, a study of what it means to be ‘human.’ In the end the book doesn’t just break your heart; it takes your heart and won’t give it back.”
— Dan Chaon, author of Await Your Reply and Stay AwakeKaren Joy Fowler is the author of The Jane Austen Book Club, which was on bestseller lists nationwide and spent thirteen weeks on the New York Times list. Along with her first two novels, it was a New York Times Notable Book. Sister Noon, her third novel, was a finalist for the prestigious PEN/Faulkner Award.
Orlagh Cassidy, an American actress of stage, television, and film, is an audiobook narrator who has twice won the prestigious Audie Award for best narration, as well as many AudioFile Earphones Awards. She is a graduate of SUNY at Purchase and a recipient of the Princess Grace Foundation Scholarship. She has been seen on and off Broadway and in films, including Definitely Maybe and Calling It Quits. Her television credits include roles in Law & Order and Sex and the City and as Doris Wolfe on Guiding Light.