"The buzz...is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end." - Stephen King "Christopher Ragland delivers a story featuring three unreliable narrators, all keeping secrets . . . Ragland's story is a discomforting listen that is difficult to pause." - AudioFile Magazine, Earphones Award winning review A World Fantasy Award and August Derleth Award Finalist! An Indie Next Pick! A LibraryReads Top 10 Pick! A Library Journal Editors' Pick! STARRED reviews from Library Journal and Publishers Weekly! Named one of the "50 Best Horror Books of All Time" by Esquire! "Brilliant....[a] deeply frightening deconstruction of the illusion of the self." —The New York Times Catriona Ward's The Last House on Needless Street is a shocking and immersive read perfect for fans of Gone Girl and The Haunting of Hill House. In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all. “The new face of literary dark fiction.” —Sarah Pinborough A Macmillan Audio production from Tor Nightfire
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"Ward ably handles the series of nested revelations of the truth about the house's inhabitants and how they connect to Ted's own childhood, all the while maintaining a propulsive, suspenseful tone. Recommended for anyone interested in horror with well-realized characters and a claustrophobic, intense setting."
— Booklist
“Christopher Ragland provides a masterful narration…[and] gives listeners a thrilling experience that will shock them until the end.”
— Library Journal (starred audio review)An Indie Next Pick!A LibraryReads Top 10 Pick!A Library Journal Editors' Pick! STARRED reviews from Library Journal and Publishers Weekly!One of Bustle's "Most Anticipated Books of September"
The buzz building around Catriona Ward's The Last House on Needless Street is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end. Haven't read anything this exciting since Gone Girl.
— Stephen KingSensational….I can’t recall another novel in recent years that dares so much and succeeds so wildly.
— A. J. Finn, #1 New York Times bestselling author of The Woman in the WindowA chilling and beautiful masterpiece of suspense, cunningly plotted and written with the elegant imagination of a Shirley Jackson or a Sarah Waters. I was completely enthralled.
— Joe Hill, New York Times bestselling author of The FiremanA breathtakingly ambitious book, gorgeously written, and never once shies away from showing you its fangs and its beautiful blood-filled heart. Stop reading this blurb already and open the damn book.
— Paul Tremblay, author of A Head Full of GhostsA masterpiece. Beautiful, heartbreaking and quietly uplifting. One of the most powerful and well-executed novels I've read in years.
— Alex North, author of The Whisper ManAbsolutely brilliant. This is extraordinary, high-wire-act horror, audacious as hell.
— Christopher Golden, New York Times bestselling author of Red HandsThis masterful horror novel packs an emotional wallop that lingers.
— Publishers Weekly, starred reviewDark and creepy, sad and wonderfully strange. It kept me glued and guessing right up to the end—I loved every inch of it.
— Mike Mignola, creator of HellboyBrilliant. Breathtaking. Terrifying. A masterpiece to read at your own peril.
— Alma Katsu, author of The HungerA risky, gleeful descent into a house without windows or doors. It's a must-read for horror fans.
— Sarah Langan, Bram Stoker Award-winning author of Good NeighborsA stunning and immersive tale of psychological horror. It’s terrifyingly real and physically upsetting, yet, like the best of the genre, it leaves space for hope to ultimately shine through.
— Library Journal (starred review)“This book was like an onion. Layer after layer after layer and then you're crying and somebody's got a knife. A brutal, twisty, puzzle box of a book. I stayed up way past my bedtime.
— T. Kingfisher, author of The Hollow PlacesWhat did I just read?! One perfect sentence after the other ... this is a story I wish I knew how to write—and I'm thrilled that Ward pulled off this trick of a book.
— Rachel Howzell Hall, author of And Now She's GoneTHIS IS THE BEST HORROR NOVEL I HAVE EVER READ. Even Shirley Jackson, her Majesty, would have to concede to this one.
— Natasha Pulley, author of The Watchmaker of Filigree StreetBooks like this don't come around too often... I would say I inhaled this in one, but I think I was too busy holding my breath throughout. Bravo.
— Joanne Harris, New York Times bestselling author of The Gospel of LokiThe new face of literary dark fiction.
— Sarah Pinborough, New York Times bestselling author of Behind Her EyesFull of twists and turns, this high-concept gothic horror is going to be huge.
— GuardianYou don’t read The Last House on Needless Street—you survive it. This isn’t just a thriller; it’s a sleek, diabolical, stress-inducing machine.
— Jonathan Janz, author of The Siren and the SpecterIncredible. Absolutely creep-inducing, skin-crawling, even agonising; and also so beautiful, both in writing and heart. One of my favourite things in ages.
— James Smythe, author of The ExplorerIncredible. Just incredible. Throughout, I didn't know where to put my heart. A breathtaking, fiercely beautiful novel.
— Rio Youers, author of Lola on FireBreathtakingly brilliant. Dark and relentlessly twisty, the best thing I've read this year.
— Lisa Hall, author of The PartyNot only edge of the seat, terrifying suspenseful horror, but it also broke my heart into tiny pieces. Such exquisite writing.
— Muriel Gray, author of The AncientBe the first to write a review about this audiobook!
Christopher Ragland is a voice and film actor who is known for his roles in the films I Shouldn't Be Alive, Driver: San Francisco, and WorldShift.