The New York Times best-selling author of God Don't Like Ugly and God Don't Play, Mary Monroe has built a reputation for sassy, hard-hitting contemporary fiction. The Company We Keep follows successful record executive Teri Stewart as she scours L.A. for love. Just when she's ready to give up on men altogether, into her life strolls charming DJ Harrison Starr. He's got it going on- obviously-but he's also hiding a dark secret that could destroy their budding romance.
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"is a very good book. this book should not be read by most children under the age of 14. "
— Keaira (5 out of 5 stars)
“Monroe delivers another winner. She excels at capturing your attention with interesting characters and fluent dialogue, all while piquing your interest in each individual journey.”
— RT Book Reviews (4 stars)“Swift, salty writing and steamy sex scenes will keep readers cheering for the couple, and a twisting plot will keep them turning pages.”
— Publishers Weekly“A brisk, urban novel about walking the line between career and love, and successfully balancing the two.”
— Booklist" I enjoyed the book especially after reading heavier books. I didn't really like the ending but I guess she made her point. "
— Ebony, 10/13/2013" This would make a good movie, but it just didn't pop like her other books as I expected it too. "
— Audrey, 6/13/2013" My first book by this author. Very interesting. Good character development. "
— Linda, 4/18/2013" This was okay. It kept my attention because I wanted to know what would happen. It didn't really turn out that great to me though! "
— Jdubsgirl, 2/25/2013" This was my first book by this author (read for book club) and I hope the rest of her books are not this poorly written. The characters were under developed and erratic. New characters introduced and then never heard from again. "
— Jenene, 8/27/2012" Enjoyed this book. I always enjoy her books. "
— Camille, 8/8/2012" is a very good book. this book should not be read by most children under the age of 14. "
— Keaira, 5/22/2012" Not one of her better books. "
— Joyce, 2/5/2012" I think it could of ended differently... "
— Laura, 12/20/2011" I had to read this book for my book club. It is not a book that I would typically pick up, but I tried to keep and open mind. However, it was terrible. There was absolutely no plot. I felt like I wasted an afternoon of my life reading this book. "
— Brandy, 9/29/2011" I like Monroe's drama laden stories but this one was disappointing. There was no plot, people just pop up and disappear and I was bored so badly that I just said forget it and returned it to the library. Better luck next time Monroe! "
— Sharonbrown, 10/21/2010" I like Monroe's drama laden stories but this one was disappointing. There was no plot, people just pop up and disappear and I was bored so badly that I just said forget it and returned it to the library. Better luck next time Monroe! "
— Sharonbrown, 2/18/2010" This would make a good movie, but it just didn't pop like her other books as I expected it too. "
— Audrey, 10/14/2009" I had to read this book for my book club. It is not a book that I would typically pick up, but I tried to keep and open mind. However, it was terrible. There was absolutely no plot. I felt like I wasted an afternoon of my life reading this book. <br/> <br/> "
— Brandy, 8/17/2009" I enjoyed the book especially after reading heavier books. I didn't really like the ending but I guess she made her point. "
— Ebony, 6/28/2009" This was okay. It kept my attention because I wanted to know what would happen. It didn't really turn out that great to me though! "
— Jdubsgirl, 3/27/2009Mary Monroe is a New York Times bestselling African American fiction author. Her first novel, The Upper Room, was published in 1985. She is best known for her novel God Don’t Like Ugly, and the series revolves around the characters it first introduced.
Patricia R. Floyd has narrated dozens of audiobooks throughout her career, including Denise Nicholas’ Freshwater Road and Ellease Southerland’s Let the Lion Eat Straw. Balanced with her audiobook work, she has directed several plays at Stamford Theatre Works. She has won five AudioFile Earphones Awards.