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Red Light Wives Audiobook
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(2.99) - 569 listener ratings
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Publisher Description
Nationally best-selling author Mary Monroe penned the widely acclaimed novels God Don't Like Ugly (F0063) and God Still Don't Like Ugly (F0140). Chicago Sun-Times calls her "a remarkable talent." Red Light Wives is a sassy and scandalous novel of six women who engage in the world's oldest profession. They have something else in common too, their "manager," Clyde Brooks-a charismatic but hard man who fills many roles in each woman's life. But soon, an act of rebellion may change their relationship forever.
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"I enjoyed this one because it tied in a little with her other two books but not too much that you would have had to have read the other two to understand what was happening."
— Judean (4 out of 5 stars)
Red Light Wives Listener Reviews
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" Gave it two stars since I forced myself to finish. It dragged from beginning to end. It's the first book that I've read from Mary Monroe so I'm pretty skeptical about reading her other work now lol. Very depressing. "
— Erika, 8/13/2013 -
" this was a pretty good book. it dragged in some parts. but for the most part it was a good read. "
— Tiffany, 4/6/2013 -
" I shouldn't rate this book since I haven't finished it. The writing is terrible! I can't get through it. A co-worker recommended it to me and it had the bases of good story, but the author couldn't deliver. "
— Julia, 10/15/2012 -
" I love Mary Monroe's books. I can't believe these characters exsist even in a novel. It is like watching a train wreck, as the old saying goes. "
— Judi, 7/2/2012 -
" I am not sure how this got on my "to read" list but I just can't finish it...slow story and not my thing. "
— Cher, 3/2/2012 -
" I basically just read this book to read it. It was alright, nothing too crazy or cool. Kinda stereotypical stuff, just the same old bullshit, I guess. Just upping my stats, ya know? "
— Cody, 8/28/2011 -
" I liked it a lot. "
— Joy, 3/22/2011 -
" Six women with interconnecting lives -- a lot of drama and predictable scenarios but otherwise it held my attention. Contains a lot of characters which shows up in her later books. Should have read this one first. "
— Sharonbrown, 11/30/2010 -
" A bit better than Upper Room, but still not quite "there" for me. The story was okay but the characters never felt fully developed enough for me. "
— Tori, 8/2/2010 -
" 6 women facing the best and the worst life has to offer. "
— Jacquelyn, 6/16/2010 -
" pretty slow start pretty glad to see the women all had happy endings "
— Carmen, 6/10/2010 -
" As usual with her books, very graphic, pretty depressing situations, but characters are very colorful and you keep rooting for them. "
— Trina, 11/18/2009 -
" This was a pretty good book. I look forward to reading more by her. "
— Shanna, 5/26/2009 -
" I like this author, but this particular novel was a drag. "
— Alison, 4/24/2009
About Mary Monroe
Mary Monroe is a New York Times bestselling African American fiction author. Her first novel, The Upper Room, was published in 1985. She is best known for her novel God Don’t Like Ugly, and the series revolves around the characters it first introduced.
About the Narrators
Carol Monda is an Earphones Award–winning narrator and accomplished voice-over artist. She is also an award-winning actor known for her work in Out of Season, After You Left, and The Gentlemen.
Caroline Clay is a film, television, and voice actress. Her acting credits include appearances on The Message Board, Law & Order, and All My Children. She has also narrated several audiobooks, such as A Wicked War by Amy S. Greenberg, Player Hater by Carl Weber, Casting the First Stone by Kimberla Lawson Roby, and What You Owe Me by Bebe Moore Campbell.
Mariana Carreño is an audiobook narrator and has narrated Rosa Beltrán’s Amores que matan and Sara Sefchovich’s Too Much Love (Demasiado amor), among others.
Mariana Carreño is an audiobook narrator and has narrated Rosa Beltrán’s Amores que matan and Sara Sefchovich’s Too Much Love (Demasiado amor), among others.
Patricia R. Floyd has narrated dozens of audiobooks throughout her career, including Denise Nicholas’ Freshwater Road and Ellease Southerland’s Let the Lion Eat Straw. Balanced with her audiobook work, she has directed several plays at Stamford Theatre Works. She has won five AudioFile Earphones Awards.
Susan Spain has appeared on stages in New York City, across the United States, and in Europe. Performances includes roles in an international production of The Best of Broadway and a staging of Little Shop of Horrors at the Smithsonian Institute’s Folklife Festival in Washington, DC. She has also appeared in Hair.