Since its earliest days, The New Yorker has been a tastemaker–literally. As the home of A. J. Liebling, Joseph Wechsberg, and M. F. K. Fisher, who practically invented American food writing, the magazine established a tradition that is carried forward today by irrepressible literary gastronomes including Calvin Trillin, Bill Buford, Adam Gopnik, Jane Kramer, and Anthony Bourdain. Now, in this indispensable collection, The New Yorker dishes up a feast of delicious writing on food and drink, from every age of its fabled eighty-year history. There are memoirs, short stories, tell-alls, and poems–ranging in tone from sweet to sour and in subject from soup to nuts. M. F. K. Fisher pays homage to “cookery witches,” those mysterious cooks who possess “an uncanny power over food,” while John McPhee valiantly trails an inveterate forager and is rewarded with stewed persimmons and white-pine-needle tea. There is Roald Dahl’s famous story “Taste,” in which a wine snob’s palate comes in for some unwelcome scrutiny, and Julian Barnes’s ingenious tale of a lifelong gourmand who goes on a very peculiar diet for still more peculiar reasons. Adam Gopnik asks if French cuisine is done for, and Calvin Trillin investigates whether people can actually taste the difference between red wine and white. We journey with Susan Orlean as she distills the essence of Cuba in the story of a single restaurant, and with Judith Thurman as she investigates the arcane practices of Japan’s tofu masters. Closer to home, Joseph Mitchell celebrates the old New York tradition of the beefsteak dinner, and Mark Singer shadows the city’s foremost fisherman-chef. Selected from the magazine’s plentiful larder, SECRET INGREDIENTS celebrates all forms of gustatory delight.
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"If it weren't for the inclusion of essays dating back nearly 100 years, this would be total foodie fluff. Thoroughly enjoyable foodie fluff, of course, but still . . . But some of the older essays give this a little more substance, and of course, the fact that it's a series of magazine articles mean that you can read a bit here, a bit there, in any order you want, when you're in the mood for this sort of thing."
— Chris (4 out of 5 stars)
" Hey, if you like food, like to cook, or just like to read about both this is an entertaining book. Some older articles are in here, but they are still good to read. It's an easy pick up, put down book. Great bedside reading, though watch out, you might get out of bed for a snack! "
— Elisabeth, 2/9/2014" Started out slow, picked up pace with exciting and interesting articles, then kinda fizzled out at the end. Loved the articles which explored interesting and unheard of delicacies. Even enjoyed articles about food processes I knew very little about, ie; cheese nun, the art of tofu. Also, very much enjoyed the Julia Childs article/bio, but overall found the entire collection together to be lacking. I find the New Yorker always has such interesting food-related articles, that it was kind of a let-down when a collection of said-related articles did not provide as great reading. Perhaps some of teh writing was outdated, and could not keep me as enthused to read about soem French bistro in the 1920s... (no that can't be it, 'cause the Dorothy Parker article was one of my favorites). Hard to explain what I found lacking. Recommend subscribing to New Yorker and looking up current issues articles regarding food/restaurants/booze/and food. Perhaps a good bedside-table book, to open and read an article, put away, move on to the next great literary treat, repeat... "
— Sean, 1/25/2014" Unfortunately, I just couldn't plow through the dense collection. I'm sure there is some great writing about food in here -- after all, it's a collection from the pages of the New Yorker. I suspect it had more to do with my lack of time than a true lack of value in the book itself, and I think this is a failed read I'll come back to later when I have more time to explore the variety of essays. "
— Anne, 1/25/2014" As always, The New Yorker fills us up with good things. Esecially love Trillin and Bourdain at his snarkiest. "
— Liz, 1/25/2014" Wonderful essays, short stories, from 1920's to now. some very funny, too. "
— Sharon, 1/18/2014" A perfect book to pick up and read a chapter a night. Love the food stories and food facts from the varied authors. "
— Wendy, 1/17/2014" I should have known this wouldn't be to my style, as I don't lke the New Yorker. I left this one after three discs into it. I love food writing but most of these essays were too wordy and foodie for me. If you are also a person less interested in accounts of the restaurants of the 1920's and 1930's in France than in good entertaining writing about food, check out Ruth Reichl's books, Anthony Bourdain's A Chef's Tour, Julia Child's My Life In France, or Julie and Julia - all of which were great reads! "
— Holly, 1/16/2014" Good book to pick up read an article, put down and pick it up again. All and all a good read. "
— Lance, 1/14/2014" I love reading 2-3 of these between novels. Funny how the different "foodies" over time show up in eachother's articles ... "
— Abbie, 1/12/2014" My husband (who is a chef) and I are reading this to one another and eating it up story by story. It is inspiring him and making me hungry. Good combo right? "
— Jesse, 12/31/2013" I am currently reading a chapter or two a day... "
— Autumn, 12/29/2013David Remnick has been the editor of the New Yorker since 1998 and a staff writer since 1992. His books include the Pulitzer Prize–winning Lenin’s Tomb: The Last Days of the Soviet Empire, King of the World: Muhammed Ali and the Rise of an American Hero, The Bridge: The Life and Rise of Barack Obama, and two collections of his magazine pieces.
Téa Obreht was born in Belgrade in the former Yugoslavia in 1985 and has lived in the United States since the age of twelve. Her writing has been published in the New Yorker, the Atlantic, Harper’s, and the Guardian, and has been anthologized in The Best American Short Stories and The Best American Nonrequired Reading. She has been named by the New Yorker as one of the twenty best American fiction writers under forty. She lives in New York.