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Sacre Bleu: A Comedy dArt Audiobook, by Christopher Moore Play Audiobook Sample

Sacre Bleu: A Comedy d'Art Audiobook

Sacre Bleu: A Comedy dArt Audiobook, by Christopher Moore Play Audiobook Sample
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Read By: Euan Morton Publisher: HarperAudio Listen Time: at 1.0x Speed 7.83 hours at 1.5x Speed 5.88 hours at 2.0x Speed Release Date: April 2012 Format: Unabridged Audiobook ISBN: 9780062097415

Quick Stats About this Audiobook

Total Audiobook Chapters:

30

Longest Chapter Length:

33:28 minutes

Shortest Chapter Length:

11:28 minutes

Average Chapter Length:

23:20 minutes

Audiobooks by this Author:

16

Other Audiobooks Written by Christopher Moore: > View All...

Publisher Description

Christopher Moore is a very sick man, in the very best sense of that word.”

—Carl Hiassen

“[Moore’s novels] deftly blend surreal, occult, and even science-fiction doings with laugh-out-loud satire of contemporary culture.”

Washington Post

“If there’s a funnier writer out there, step forward.”

Playboy

Absolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, “Stephen King with a whoopee cushion and a double-espresso imagination” has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death…even Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacré Bleu, the immortal Moore takes on the Great French Masters. A magnificent “Comedy d’Art” from the author of Lamb, Fool, and Bite Me, Moore’s Sacré Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper  Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed “suicide” of Vincent van Gogh.

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"I love Christopher Moore's wacky funny take on real life events that he puts his personal sarcastic stamp on. The age of Impressionists in Paris is a particular fondess of mine and I loved that Henri Toulous-Lautrec was a main character. I bet the man truely was much like his portrayal in the book. The mystical/shamanistic side of the Colorman and the Muse was a little out there but this author is known for pushing the edges in that arena. A fun artsy read that would definately be enjoyed by art enthusiasts with a sense of humor. My favorite line, "Penis". To the point for sure!"

— Jennifer (4 out of 5 stars)

Quotes

  • “Zany…Sacré Bleu is a consistently compelling blend of love story, mystery, and ‘what if?’ art-history lesson.”

    — Entertainment Weekly
  • “A mind-bending tribute to artists, the creative process, and the color blue…Wildly entertaining…A sly examination of art, inspiration, everyday magic, and some seriously over-caffeinated painters.”

    — Seattle Times
  • “Another exceedingly bizarre, often raucous, and consistently delightful journey into the sweetly demented mind of novelist Christopher Moore.”

    — Philadelphia Inquirer
  • “Contains the rare combination of poetry and humor; where one moment you find yourself rereading a passage for its sublime imagery, and the next, you are grinning over a well-placed wisecrack…An excellent novel.”

    — Dallas News
  • “Mingling comedy and mystery, Moore crafts an intricate story that teases the reader with numerous twists and bawdy humor…An imaginative and amusing look at the Impressionist era, and Moore’s prose is fresh and engaging.”

    — Booklist
  • “Moore set out to write a book about the color blue. What he ended up with is a surprisingly complex novel full of love, death, art, and mystery…Don’t let Moore’s quirky characters and bawdy language fool you. His writing has depth, and his peculiar take on the impressionists will reel you in…A worthy read.”

    — Library Journal
  • “Moore’s humor is, as ever, sweetly juvenile, but his arty comedy also captures the courage and rebellion of the Impressionists with an exultant joie de vivre.”

    — Kirkus Reviews
  • “Moore-ons (as the author’s devotees call themselves) will be delighted with the scribe’s latest tale where he takes on…the color blue. Oh, and also the entire history of art. Van Gogh, Monet, Manet, Renoir, Michelangelo, and more all appear in this convoluted and wondrous tale. Moore clearly did his research, and the result is a rather extraordinary mix of fact and off-the-wall fiction. A most definite winner.”

    — RT Book Reviews (4½ stars)

Awards

  • A New York Times bestseller
  • A USA Today bestseller
  • A Los Angeles Times bestseller
  • Selected for the April 2012 Indie Next List

Sacre Bleu Listener Reviews

Overall Performance: 3.590909090909091 out of 53.590909090909091 out of 53.590909090909091 out of 53.590909090909091 out of 53.590909090909091 out of 5 (3.59)
5 Stars: 2
4 Stars: 13
3 Stars: 5
2 Stars: 0
1 Stars: 2
Narration: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Story: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Write a Review
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " It's good. Typical Moore. A lot of laugh-out-loud funny parts, though somethings do fall short or seem to be out of place. He really did his history and had me looking up a lot of painters and paintings. "

    — Stephanie, 2/19/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Christopher Moore is the soul of funny. "

    — Tina, 2/18/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This was bizarre, but I admire the creativity and the satire of the art. "

    — Jenn, 2/11/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Just a little bit of genius, this book. Impressionists, history, Paris, and murder. What more could you ask for? "

    — Emily, 2/5/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " As usual with Moore's books, I found myself giggling aloud frequently, I do think I liked it better the second time I read it. "

    — Steffilu, 1/22/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This book is terrific, but if you are a fan of previous Christopher Moore books, you should set aside your notions of what this book will be. It has moments of humor, but the twin engines driving this story are visceral emotion and great writing. "

    — Renee, 1/19/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Really worth reading - past the random and difficult parts of the book is a genius idea. Not my favorite of Christopher Moore; but I didn't walk away feeling dumb for picking it up and reading it. "

    — Jessica, 12/24/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Henri Toulouse-Lautrec imagined by Christopher Moore makes for the most fun I've had with a book in years. "

    — Hannah, 11/18/2013
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " First and last book I will read by this author. "

    — Karstee, 11/14/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This is another one of Moore's quirky and inventive stories that mixes real events with fiction and makes it all the more fun to read. "

    — Deigh, 11/11/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " The website that accompanies the book is worth a look and provides interesting background. "

    — Beverly, 10/23/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Reading this book piqued my interest in all of the artists and the time period described in the novel. Christopher Moore's books are always pretty funny, and I liked how the humor here came from the characters and (mostly) did not feel forced. "

    — Harley, 8/17/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This is a very fun read for art enthusiasts, francophiles and lovers of the absurd. Great characters, witty dialogue, clever plot. "

    — April, 4/2/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This seemed to me to be a more "mature" novel than Moore's previous novels. There is a slower build into the charecters and action. I found the historical settings and the tie-ins to the paintings interesting and they made sense for the story. "

    — Derick, 3/19/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Moore is a very funny writer. You will either find the irreverence with which he treats the Impressionists fun, silly or inappropriate. I found it all three and I loved it. "

    — Dennis, 2/7/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I have started 4 and read 3 C Moore books. I find him a hard author to follow, but I keep trying. It took awhile to find the rhythm of the story but I must admit it was worth the journey. Reading the afterward gave me insight into the story. Paris must have been an interesting pace at that time. "

    — Paul, 1/13/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I really enjoy Moore. This story was much more complicated than usual. He's in the Tom Robbins stratosphere now. Humor, history, creativity... "

    — Craig, 10/25/2012
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " i loved the setting, I loved the artists, the paintings, and the storyline...until I figured out a little more about Juliette, and then Moore lost me. The rest was a drag. but if you read keeping in mind the context, a pretty fun read. "

    — Paula, 10/9/2012
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Unfortunately the only Christopher Moore book I did not like. He is one of my favorite authors, but I just couldn't get into this story. I kept getting confused which characters were which and the story just didn't grab me. I couldn't even finish it, though I read about half. "

    — Rebecca, 6/8/2012
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Not Moore's best either, but charming and an enjoyable read. "

    — Jasmine, 6/5/2012
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Fun, well written...Great book to read after reading Vincent van Gogh...same cast of characters...interesting from an art standpoint..I enjoyed this AFTER reading VVG...light and interesting. "

    — Jan, 5/3/2012
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This was a really fun read. Very clever and a bit bizarre. As an art history major I appreciated the way the author tied real paintings into story. "

    — Sigfrid, 5/1/2012

About Christopher Moore

Christopher Moore writes satirical fiction. Known for his colorful characters and imaginative story lines, he has gained a cult following for his books, many of which have become New York Times bestsellers.

About Euan Morton

Euan Morton is an Earphones Award–winning narrator. As an actor and singer, he is best known for his role as Boy George in the musical Taboo, which earned him a Laurence Olivier Award nomination. He reprised the role on Broadway, earning him the Theatre World Award for Outstanding Broadway Debut, as well as nominations for the ony, Drama Desk, Outer Critics Circle, and Drama League awards. His other stage performances include Leaves of Glass, Sondheim on Sondheim, and Cyrano De Bergerac.