A palimpsest is a manuscript page from a scroll or book where the script has been scraped or washed off so that it can be used again. The word comes from Latin, and refers to a time when the Romans wrote on wax-coated tablets that could be smoothed and reused.
When Life After Life makes the observation "Time isn't circular. It's like a palimpsest," it's a notion that main character Ursula Todd knows all too well. Her life is a series of palimpsests, as it were, with death scraping the page clean for her to write her life upon again. She starts with a very short story; on a cold snowy night in 1910. Ursula is stillborn, dying before she can draw her first breath. But on that very same night, this daughter to an English banker and his wife lets out a fierce wail, starting a life that will be most unusual.
Death is not the finale for Ursula Todd as it would be for anyone else. She dies in many ways, but after each time she comes back with a fresh page, to experience life over again and to make a different set of decisions. Clearly, destiny has plans for Ursula Todd, but will she ever be able to glean what they are?
Life After Life is British author Kate Atkinson's 8th novel; her first, Behind the Scenes at the Museum, propelled her into the spotlight, winning the coveted Whitbread Book of the Year award. A critically acclaimed international best-selling author, she was appointed Member of the Order of the British Empire in the 2011 Queen's Birthday Honours for services to literature. Born in York, she now makes her home in Edinburgh, Scotland.
"Enjoyed the book and the narration. I will "chew" on the ideas and premise of the book for a while. I was engaged right from the beginning. The book does not disappoint,"
— Sue (5 out of 5 stars)
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can -- will she?
Darkly comic, startlingly poignant, and utterly original: this is Kate Atkinson at her absolute best.
Download and start listening now!
“Dazzling, witty, moving, joyful, mournful, profound. Wildly inventive, deeply felt. Hilarious. Humane. Simply put: It’s one of the best novels I’ve read this century.”
— Gillian Flynn, #1 New York Times bestselling author“Wise, bittersweet, funny, and unlike anything else you’ve ever read…This is her best book yet.”
— J. Courtney Sullivan, New York Times bestselling author“Fascinating...A tour de force that ponders memory and déjà vu—and puts history on a very human scale.”
— Parade“[Atkinson’s] very best…A big book that defies logic, chronology, and even history in ways that underscore its author’s fully untethered imagination…[It] is full of mind games, but they are purposeful rather than emptily playful…Even without the sleight of hand, Life after Life would be an exceptionally captivating book with an engaging cast of characters.”
— New York Times“Woolgar’s narration, along with the production’s editing and direction, ensures that a potentially confusing story is remarkably easy to follow. Woolgar also flawlessly switches between British, American, French, and German accents, making Life after Life a truly rich experience that listeners will not soon forget.. Winner of AudioFile Earphones Award.”
— AudioFile“In a radical departure from her Jackson Brodie mystery series, Atkinson delivers a wildly inventive novel…Alternately mournful and celebratory, deeply empathic and scathingly funny, Atkinson shows what it is like to face the horrors of war and yet still find the determination to go on, with her wholly British characters often reducing the Third Reich to ‘a fuss.’ From her deeply human characters to her comical dialogue to her meticulous plotting, Atkinson is working at the very top of her game. An audacious, thought-provoking novel from one of our most talented writers.”
— Booklist (starred review)“Life after Life is an extraordinary feat of narrative ambition, an audacious genre bender, and a work of literary genius.”
— Amazon.com“Kate Atkinson’s Life after Life is no contrived séance room saga of reincarnation; it is a sage tale of living through historic hard times and learning lessons along the way.”
— Barnes&Noble.com“She’s found an inventive way to make both the war’s toll and the pull of alternate history, of darkness avoided or diminished, fresh.”
— Publishers Weekly“Provocative, entertaining, and beautifully written.”
— Kirkus ReviewsA thoroughly entertaining, periodically moving read, and a wholly unique addition ... Atkinson never so much as flirts with pathos; her ethos and heroine are as unsentimental as the times require.
— Eugenia Williamson, Boston GlobeSure to be one of the most talked-about books of the year. Life After Life is a dazzling juggling act...(by all means, read this book).
— Mary Ann Gwinn, Seattle TimesYou can't put down Life After Life until you finish it, and then I suggest you read it a second time.
— Bob Hoover, Dallas Morning NewsDazzling...the fantasy behind that reality turns out to be rivetingly complex.
— Karen Holt, O, the Oprah MagazineI cannot recommend this book enough. It's nothing short of a genre-bending masterpiece - thoughtful and compelling, convoluted in plot but clear in resolve. If I had many lifetimes, I would make sure to read Life After Life in each.
— Kevin Nguyen, GrantlandIt is in the depiction of Ursula's loving yet contentious family that Life After Life truly shines...a dazzling, intricate and entertaining novel.
— Michael Berry, San Francisco ChronicleLife After Life is dark and funny and suspenseful and sad all at the same time.
— Emily Ecton, NPR (Great Reads of 2013)Inventive...This ingenious narrative conceit not only illustrates how seemingly small decisions can affect our lives, it also allows us as readers to inhabit a novelist's creative process...Atkinson has crafted a narrative that pushes us to think about our own choices... Some of Ursula's narratives are so compelling, so convincing, that it is hard to imagine her ending up any other way.
— Carolyn Kellogg, Los Angeles TimesAtkinson has a knack for puzzle-making...creating a series of narrative fragments that cohere into a breathtaking whole...By the final chapters, it's clear that Ursula is gaining on something much bigger than any of her lives: a true calling. Watching that pursuit is frequently heartbreaking and entirely thrilling.
— Katie Arnold-Ratliff, TimeAtkinson has turned a high-concept conceit into an intricately crafted, totally engaging new novel...Atkinson combines the cleverness of metafiction with the warmth and detail of period fiction for an end result that is satisfyingly original.
— Yvonne Zipp, Christian Science MonitorGripping and sophisticated...Enthralling...[Atkinson] deftly captures the cruel frailty of life with judicious compassion...No writer alive makes for better company on the page-knowing, funny, and prodigally inventive: Ursula is a magnificent creation, but dozens of finely drawn secondary characters (her bohemian Aunt Izzie alone would make this book worth reading) force her to fight for the spotlight on every page...Unflaggingly curious and unfailingly open-minded, Atkinson is like some great snoop, prowling among life's mysteries, turning the commonplace inside out...Literary and entertaining all at once, Atkinson is a sophisticated artist who also can keep you up well past bedtime, and that double-barreled talent is on display as never before in Life After Life. My first reaction upon finishing it was to imitate the unsinkable Ursula and begin all over again.
— Malcolm Jones, The Daily BeastMasterful...Atkinson not only invites readers in, she also asks them to give up their preconceptions of what a novel should be, and instead accept what a novel can be... What impresses me about this flip book of nonstop scenarios - in wartime and peacetime - is not only how absorbing they are, but how brave Atkinson is to have written them. After all, there really isn't much recent precedent for a major, serious yet playfully experimental novel with a female character at its center. Good for her to have given us one; we needed it...She opened her novel outward, letting it breathe unrestricted, all the while creating a strong, inviting draft of something that feels remarkably like life.
— Meg Wolitzer, NPR.orgDelightfully precocious and darkly moody... Revealing and straightforward... Originality is the jumping-off point for this especially unique novel, and readers looking for something fresh should take a chance. Readers already in love with Atkinson's novels, and equally besotted with Jackson Brodie, will be just as pleased with the life - the lives - of Ursula Todd.
— Carol Memmott, USA TodayA densely layered, century-sprawling work that is a formidable bid for the brass ring of the U.K.'s prestigious Man Booker Prize. Life After Life is a drama of failures and providential rebirths...High-concept premise...A deft and convincing portrayal of an English family's evolution across two world wars...Marvelous...Not only does she bring characters to life with enviable ease, she has an almost offhand knack for vivid scene-setting ...Her storytelling prowess is on fullest display in a gorgeous and nerve-racking novella-length chapter set during the Blitz ... It's spellbindingly done.
— Sam Sacks, The Wall Street JournalLife After Life is a hypnotic dance of causality and chance, in which Ursula makes genuine progress...[Life After Life] displays...trapeze-artist panache, releasing plotlines into the oblivion of one past life only to retrieve them, to the reader's appreciative gasps, in a later one...It's rich in the gravity and texture of reality... Marvelously vibrant...Atkinson makes every one of Ursula's lives, as well as the lives of those she touches, feel inestimably precious.
— Laura Miller, SalonAudacious and darkly mysterious...Atkinson is a master of structure...A sense of dread but also one of hope infuse the novel...Even the canniest reader can't predict what will happen next, so the long novel remains absorbing until its end. It lightly raises questions about the meaning of life and death and identify, fate and chance, and leaves them unanswered to echo in the reader's mind after the final page.
— Margaret Quamme, Columbus DispatchAmbitious...[Atkinson] can be playful and profound, an enjoyable storyteller as well as an artful writer...She gives us a complete picture of an upper-class British family as it moves into the modern era, and in such a way that we are left sifting through the many turns a life can take and contemplating the consequences thereof.
— Sherryl Connelly, New York Daily News[Atkinson] is nothing if not clever...A fine writer...filling the pages with a liveliness and intelligence...Ursula's quest to 'get it right' gradually becomes less important than Atkinson's talent to create such an entertaining and suspenseful story that tells many versions of the history of the 20th century.
— Bob Hoover, The Minneapolis Star TribuneFascinating... A tour de force that ponders memory and déjà vu-and puts history on a very human scale.
— ParadeThe Blitz segments vibrate with life, as vivid and horrifying as a series of glimpses into a charnel house...The natural exuberance of Atkinson's prose is brought into sharp, precise control. Buried inside Life After Life is the best Blitz novel since Sarah Waters's The Night Watch.
— Steve Donoghue, The Washington PostAudacious, the kind of sweeping virtuoso epic that actually earns overheated book-jacket phrases like 'tour de force!'...Atkinson is a fantastic storyteller... It's all so richly imagined and ingeniously executed that the mystery feels right. Her domestic vignettes and wide-screen portraits of wartime resonate with startling physical and emotional clarity, and even her repetitions find fresh revelations... What Atkinson has mastered: shining a light on how full life is of choices and chance, and how lucky we are to live it.
— Leah Greenblatt, Entertainment Weekly[Atkinson's] latest novel, Life After Life, is her very best... A big book that defies logic, chronology and even history in ways that underscore its author's fully untethered imagination... Even without the sleight of hand, Life After Life would be an exceptionally captivating book with an engaging cast of characters... [Atkinson's] own writerly cradle was rocked by a very sure hand indeed.
— Janet Maslin, New York TimesAn exercise in narrative gutsiness; a meditation on history, contingency, and free will; and the best new novel I've read this year.
— Kathryn Schulz, New York MagazineAn audacious, ambitious book that challenges notions of time, fate and free will, not to mention narrative plausibility...[Atkinson's] writing is funny and quirky and sharp and sad - calamity laced with humor - and full of quietly heroic characters who offer knowing Lorrie Moore-esque parenthetical asides...Atkinson's true genius is structure...Each version is entirely and equally credible.
— Sarah Lyall, New York TimesKate Atkinson's new novel is a box of delights. Ingenious in construction, indefatigably entertaining, it grips the reader's imagination on the first page and never lets go. If you wish to be moved and astonished, read it. And if you want to give a dazzling present, buy it for your friends.
— Hilary Mantel, author of Wolf Hall and Bring Up the BodiesLife After Life is a masterpiece about how even the smallest choices can sometimes change the course of history. It's wise, bittersweet, funny, and unlike anything else you've ever read. Kate Atkinson is one of my all-time favorite novelists, and I believe this is her best book yet.
— J. Courtney Sullivan, bestselling author of Maine and CommencementThere aren't enough breathless adjectives to describe Life After Life: Dazzling, witty, moving, joyful, mournful, profound. Wildly inventive, deeply felt. Hilarious. Humane.
— Gillian Flynn, author of the #1 New York Times bestseller Gone GirlBe the first to write a review about this audiobook!
Kate Atkinson has written twelve groundbreaking, bestselling books, which have made the New York Times bestsellers list and which have won such awards as the Whitbread Book of the Year prize and the Costa Novel Award. A God in Ruins was adapted into a critically acclaimed television series in 2022. Her bestselling novels featuring former detective Jackson Brodie became the BBC television series Case Histories.
Fenella Woolgar is an actor and Earphones Award–winning narrator. She has starred in films including Bright Young Things, Wah Wah, Vera Drake, and Scoop. On television, she played Agatha Christie in “Dr Who: The Unicorn and the Wasp,” and she also joined the cast of Case Histories for the BBC.