Both a revealing self-portrait and dramatic fictional chronicle of his final African safari, Ernest Hemingway's last unpublished work was written when he returned from Kenya in 1953. Edited by his son Patrick, who accompanied his father on the safari, True at First Light offers rare insights into the legendary American writer.
A blend of autobiography and fiction, the book opens on the day his close friend Pop, a celebrated hunter, leaves Ernest in charge of the safari camp and news arrives of a potential attack from a hostile tribe. Drama continues to build as his wife, Mary, pursues the great black-maned lion that has become her obsession, and Ernest becomes involved with a young African girl whom he supposedly plans to take as a second bride. Increasingly enchanted by the local African community, he struggles between the attraction of these two women and the wildly different cultures they represent.
Spicing his depictions of human longings with sharp humor, Hemingway captures the excitement of big-game hunting and the unparalleled beauty of the landscape. Rich in laughter, beauty, and profound insight. True at First Light is an extraordinary publishing event—a breathtaking final work from one of our most beloved and important writers.
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"It is as well this drunken, rambling memoir/story was edited by Hemingway's son; but it is in its own way important if one wants to understand the great man and how he lived. It is uninhibited and the writing is mostly wonderful. It expresses Hemingway's belief that blood sports should be a contest between a noble beast (here a great lion) and a skillful human. The lion should be killed outright with an accurate shot; if a coup de grace is needed, the hunter has failed."
— Ian (4 out of 5 stars)
“The value of True at First Light lies in its candor, its nakedness: it provides a rare opportunity to watch a master working his way toward art.”
— Amazon.com, editorial review“Uneven, imperfect, irritating, amusing, moving, and of treasurable importance to an understanding of this massive however flawed genius of our literature.
— Kirkus Reviews“Twentieth-century American literature could not end on a brighter note than the publication of this book.”
— Library Journal" 314p- 01-02-2005 "
— Michael, 2/20/2014" Although Hemingway is one of my favorite authors, I found this novel difficult to get through "
— Denise, 2/16/2014" His last fictional work as edited by his son Patrick is almost a memoir or his safari days in AFrica. The plot is satirical and poignant. Enjoyable. "
— Kimberlyn, 2/14/2014" Everyone knows that Ernest didn't get around to finishing this one. I believe that's what made it a struggle. This just proves that it's difficult to create and bring someone into your world, even if its of your own. "
— corri, 2/1/2014" Every now and then I need to read Hemingway just to get all the flowery descriptions out of my subconcsious. Oh, thank you Ernest for cutting directly to the point. His imagery is very involving, just not so overblown. Having never been to Africa, this book certainly makes me want to go. There is a lot of romantic nostalgia involved when you read Hemingway, but isn't that the way it should be? "
— Ben, 1/31/2014" I expected Hemmingway or Mary to die in a plane crash or be killed by a lion anytime. A should read for H fans. He must have been truly and soundly and completely a tortured soul. "
— Falley, 1/25/2014" Hemingway was a huge dick, huh? "
— Dan, 1/17/2014" Amazing, I times I hated it and at times I loved it. In the end it is a read I won't forget. "
— Jason, 1/5/2014" Absolutely excellent... of course! Now I want to go to Africa. "
— Erin, 11/11/2013" Africa and the life of Hemingway...wonderful. "
— Dottie, 11/9/2013" I listened to part of the audio version. I was confused and bored all at the same time. I think he did a terrible job of telling who people were.. and am not sure if I want to listen to the rest of a book about killing animals in Africa and Hemingway cheating on his wife in front of her. "
— Emily, 11/5/2013Edoardo Ballerini, an American actor, director, film producer, and multiaward–winning narrator. He has won several Audie Awards for best narration, including for 2019’s Best Male Narrator of the Year. He was named by Booklist as winner of their 2023 Voice of Choice Award, and was named a Golden Voice by AudioFile magazine in 2019. He has narrated over two hundred audiobooks, from classics to modern masters, from bestsellers to the inspirational, from Nobel and Pulitzer Prize winners to spine-tingling series, and much more. In television and film, he is best known for his roles in A Murder at the End of the World, The Sopranos, 24, I Shot Andy Warhol, Dinner Rush, and Romeo Must Die. He is also trained in theater and continues to do much work on stage.
Brian Dennehy has made over forty motion pictures, including Silverado, Presumed Innocent, 10, Cocoon, Gorky Park, Best Seller, First Blood, and F/X 1 & 2. On television, he has received three Emmy Award nominations for To Catch a Killer, Burden of Proof, and A Killing in a Small Town. Mr. Dennehy has performed on the New York, regional, and international stages in such plays as Death of a Salesman, The Iceman Cometh, Translations, and The Cherry Orchard.