Set in nineteenth-century England, this great novel of domestic realism sympathetically portrays a young woman’s vain efforts to adapt to her provincial world.
Maggie Tulliver, whose father owns a mill perched on the banks of the River Floss, is intelligent and imaginative beyond the understanding of her community, her relatives, and particularly her brother, Tom. Despite their opposite temperaments, Maggie and Tom are united by a strong bond. But this bond suffers when Tom’s sense of family honor leads him to forbid her to associate with the one friend who appreciates her intelligence and imagination. Later, when Maggie falls in love with the handsome and passionate fiancé of her cousin and is caught in a compromising situation, she fears her relationship with Tom may never recover.
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"George Eliot rules the fascinating and selective world between Victorian fantasy and true modernism, and Middlemarch is one shining example of her expertise. Not just a good reads these are, but some of the very best." — Laura (5 out of 5 stars)
"George Eliot rules the fascinating and selective world between Victorian fantasy and true modernism, and Middlemarch is one shining example of her expertise. Not just a good reads these are, but some of the very best."
“If I had an imaginary friend, Maggie was it. I loved her, I laughed with her, I agonized about her problems, I cried over her…and I still do…George Eliot’s understanding of human nature is profound…The greatest British novelist of any age.”
“It is a stern critic who would deny readers the pleasure of spotting which parts of her own childhood George Eliot transferred to Tom and Maggie. The dynamics and personalities of the Tulliver family are remarkably similar to what we know of the Evanses.”
“The peculiarly tense and gloomy character of parts of The Mill on the Floss must derive from the paradoxical fact that she was using an artistic re-creation of her own life partly to ‘teach’ that strong and deep roots make good men, that morality is derived from the development of particular family and local affections into abstract conceptions of duty and piety.”
“[Eliot’s] faith in free will was unshakable. She firmly believed in the importance of self-determination in the life of the individual. For her, Maggie's tragedy is as much one of character as of circumstances.”
" Silas Marner and Middlemarch are terrific. The Mill on the Floss is very good, but depressing as hell. Adam Bede is above-average. "
George Eliot, the pen name of Mary Ann, or Marian, Evans (1819–1880), was an English Victorian novelist of the first rank. An assistant editor for the Westminster Review from 1851 to 1854, she wrote her first fiction in 1857 and her first full-length novel, Adam Bede, in 1859. In her writing, she was chiefly preoccupied with moral problems, especially the moral development and psychological analysis of her characters. She is known for her sensitive and honest depiction of life and people in works that are acclaimed as classics.
Wanda McCaddon (d. 2023) narrated well over six hundred titles for major audiobook publishers, sometimes with the pseudonym Nadia May or Donada Peters. She earned the prestigious Audio Award for best narration and numerous Earphones Awards. She was named a Golden Voice by AudioFile magazine.
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