The Marriage Portrait: A novel Audiobook, by Maggie O’Farrell Play Audiobook Sample

The Marriage Portrait: A novel Audiobook

The Marriage Portrait: A novel Audiobook, by Maggie O’Farrell Play Audiobook Sample
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Read By: Genevieve Gaunt, Maggie O’Farrell Publisher: Random House Audio Listen Time: at 1.0x Speed 8.83 hours at 1.5x Speed 6.63 hours at 2.0x Speed Release Date: September 2022 Format: Unabridged Audiobook ISBN: 9780593628089

Quick Stats About this Audiobook

Total Audiobook Chapters:

29

Longest Chapter Length:

71:02 minutes

Shortest Chapter Length:

16 seconds

Average Chapter Length:

27:38 minutes

Audiobooks by this Author:

9

Other Audiobooks Written by Maggie O’Farrell: > View All...

Publisher Description

WOMEN'S PRIZE FOR FICTION FINALIST REESE’S BOOK CLUB PICK • NEW YORK TIMES BEST SELLER • The author of award-winning Hamnet brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de' Medici as she makes her way in a troubled court. “I could not stop reading this incredible true story.” —Reese Witherspoon (Reese’s Book Club Pick) "O’Farrell pulls out little threads of historical detail to weave this story of a precocious girl sensitive to the contradictions of her station...You may know the history, and you may think you know what’s coming, but don’t be so sure."The Washington Post Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf.   Having barely left girlhood behind, Lucrezia must now enter an unfamiliar court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her new husband himself, Alfonso. Is he the playful sophisticate he appeared to be before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?   As Lucrezia sits in constricting finery for a painting intended to preserve her image for centuries to come, one thing becomes worryingly clear. In the court’s eyes, she has one duty: to provide the heir who will shore up the future of the Ferranese dynasty. Until then, for all of her rank and nobility, the new duchess’s future hangs entirely in the balance.   Full of the beauty and emotion with which she illuminated the Shakespearean canvas of Hamnet, Maggie O’Farrell turns her talents to Renaissance Italy in an extraordinary portrait of a resilient young woman’s battle for her very survival.

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“A vivid depiction of the harsh manners and rigid expectations for women within ducal courts in sixteenth-century Italy.”

— BookPage (starred review) 

Quotes

  • “A riveting tale about one woman’s fight for autonomy.”

    — Real Simple

Awards

  • A September 2022 LibraryReads Pick
  • A New York Times bestseller
  • An Amazon Editor’s Top Pick
  • Among longlisted titles for Andrew Carnegie Medal for Excellence in Fiction, 2023
  • Among shortlisted titles for Women's Prize for Fiction, 2023

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About Maggie O’Farrell

Maggie O’Farrell is the author of several novels, including her debut novel, After You’d Gone, which won a Betty Trask Award; The Distance between US, winner of a Somerset Maugham Award; and The Hand That First Held Mine, winner of the Costa Novel Award. She has worked as the deputy literary editor of the London Independent on Sunday.

About Genevieve Gaunt

Maggie O’Farrell is the author of several novels, including her debut novel, After You’d Gone, which won a Betty Trask Award; The Distance between US, winner of a Somerset Maugham Award; and The Hand That First Held Mine, winner of the Costa Novel Award. She has worked as the deputy literary editor of the London Independent on Sunday.