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The Man Who Was Thursday: A Nightmare Audiobook

The Man Who Was Thursday: A Nightmare Audiobook, by G. K. Chesterton Play Audiobook Sample
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Read By: Ron Keith Publisher: Recorded Books, Inc. Listen Time: at 1.0x Speed 4.83 hours at 1.5x Speed 3.63 hours at 2.0x Speed Release Date: July 2011 Format: Unabridged Audiobook ISBN: 9781461809807

Quick Stats About this Audiobook

Total Audiobook Chapters:

17

Longest Chapter Length:

39:27 minutes

Shortest Chapter Length:

03:52 minutes

Average Chapter Length:

25:11 minutes

Audiobooks by this Author:

53

Publisher Description

Writing in England at the turn of the 20th century, G.K. Chesterton was dubbed the "prince of paradox" for addressing serious questions with his light, whimsical style. In this classic allegory, which has captivated generations since it was first published in 1908, Chesterton tackles such profound concepts as honor, truth, and God with insightful humor and colorful enigma. The seven members of the secret Central Anarchist Council are sworn to destroy the world. For security reasons, each member has named himself after a day of the week. But Thursday is not at all whom he appears to be. Instead of a revolutionary young poet, he has been unmasked as a Scotland Yard detective. Now the other six anarchists are in a state of chaos and can't trust anyone.

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"The Man Who Was Thursday is probably the best book I've ever read. On the surface it's about secret police who hunt anarchists, plus a lot of other trademarks of a thriller like double-agents and characters in disguise. But what really won out for me was how the book has this whole funhouse mirror quality to it. Like, it's totally natural for characters to walk crookedly down alleys or have distorted faces or...well, there's just a lot of weird touches which in other books would come off as supernatural, but in this book blend right into the fabric of reality. Loved this."

— Perry (5 out of 5 stars)

The Man Who Was Thursday Listener Reviews

Overall Performance: 3.606451612903226 out of 53.606451612903226 out of 53.606451612903226 out of 53.606451612903226 out of 53.606451612903226 out of 5 (3.61)
5 Stars: 28
4 Stars: 68
3 Stars: 34
2 Stars: 20
1 Stars: 5
Narration: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Story: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
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  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " If you believe, as Mr Chesterton does, that Satan is a redhead, you will enjoy this anti-anarchist, overtly Christian tale of pursuit and realisation. Personally, I read it for the lulz, and I was not disappointed. "

    — Ms_prue, 2/18/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " The fact that the reader is NOT omniscient adds to the reader's suspense as to what is actually happening. Gradually, more is revealed. "

    — Ralph, 2/15/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " As classics go, a fairly contemporary read. Not sure of a great grander meaning but there are some fairly quotable and thought-provoking sections. "

    — Jack, 2/14/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Extraordinario, un libro muy recomendable, una novela que atrapa y que cuenta con un gran transfondo. "

    — Pnyxis, 2/10/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " The last third got too preachy for me. "

    — Scott, 2/10/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " A nightmare is the vehicle for a surreal and comic exploration of order and disorder. Full of allusions and allegories that were probably too clever for me. "

    — Derek, 2/8/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Written in 1904. Crazy story around the infiltration of an anarchist organization by a police officer. Good suspense. Some interesting philosophical thoughts throughout the book. Some tasty dialogues too. The ending is quite lame though... "

    — Stefan, 2/8/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I found this book quite droll and was pretty caught up in it until the end of the balloon chase. Then it felt as if what had seemed like a cracking good political story that called to mind Orwell's 1984 and aspects of the second Downey/Law Sherlock Holmes movie suddenly changed to a humorless allegory. I'll have to think about the book some more and perhaps reread it. "

    — H, 2/6/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I'm still trying to decide what I think about this book, but there is one thing I know for certain: it was brilliant. The plot is riveting, the descriptions are vivid, the characters come alive in front of you, the philosophical thoughts interwoven with the story are incredibly thought-provoking, and the prose is beautiful. Yes, the end of the book (and some portions in the middle) are a little bewildering. But I have come to this conclusion: one must read Chesterton for the journey, not for the end of the book. And with that thought in mind, this book is spectacular. "

    — Cherise, 2/4/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I thoroughly enjoyed this, but I'm not sure I totally undertood it. It bordered on the absurd. I'm looking forward to discussing the book with members of The Novella Club in November. "

    — Ivan, 2/4/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Spies, intrigue, and a surprise ending that might, if you let it, make a human being out of you. The only proper review of this book is to exhort you to read it, if you haven't, and to think about it (and perhaps re-read it) if you have. Accolades fall short. Read this book and discover how a poet becomes Thursday before becoming himself. "

    — David, 2/1/2014

About G. K. Chesterton

Gilbert Keith Chesterton (1874–1936) published numerous works which include compilations of his voluminous journalism, novels, biographies, histories, criticism, Christian apologetics, poetry, and plays. Many of his novels have the genuine marks of genius. His books on Dickens (for whom he had a considerable affinity) and Saint Thomas Aquinas are considered classics in their fields.

About Ron Keith

Ron Keith, a native of England, graduated from the University of Manchester. He has appeared in the Broadway touring production of Amadeus, in off-Broadway productions such as Hedda Gabler, My Fair Lady, and Candida, and in many regional stage productions. His television appearances include roles in One Life to Live and As the World Turns.