" Perry loves playing cat-and-mouse with his characters. When I first discovered him earlier this year, it was the hired killer and the Justice Department Mafia investigator that chased each other. In Nightlife, we have a psychotic female killer and her nemesis, a Portland detective. Perry uses the form as a fugue of character, personality, relentless plotting and tense action scenes that present violence as almost a daily occurrence. Perry especially works on audio in the car, except you can miss your freeway exit when the tension rises! "
— Nick, 1/29/2014