In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed … only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes.
Now generations have passed and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves—appearing to those with the sight to see them, as hard and dangerous men, invariably dressed in black.
Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spirit world. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the Southwestern desert of her youth. Outsider her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them—until the night one follows her to the woods, and takes her hand …
Ellie, an independent young sculptor, is another with magic in her blood, but she refuses to believe it, even though she too sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King—another thing Ellie does not believe in. Yet lack of belief won’t dim the power of the mask, or its dreadful intent.
Donal, Ellie’s former lover, comes from an Irish family and knows the truth at the heart of the old myths. He thinks he can use the mask and the “hard men” for his own purposes. And Donal’s sister, Miki, a punk accordion player, stands on the other side of the Gentry’s battle with the Native spirits of the land. She knows that more than her brother’s soul is at stake. All of Newford is threatened, human and mythic beings alike.
Once again Charles de Lint weaves the mythic traditions of many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets.
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“A leisurely, intriguing expedition into the spirit world, studded with Spanish and Gaelic words and an impressive depth of imagination, de Lint’s latest teems with music, danger, and a touch of romance.”
— Publishers Weekly
“An enthralling voyage into the seamier side of urban magic…de Lint’s mastery of the urban fantasy tale and his ability as a great storyteller remain unchallenged.”
— Amazon.com“There is plenty to sustain de Lint’s reputation as premier urban fantasist…A great yarn.”
— BooklistBe the first to write a review about this audiobook!
Charles de Lint is the award-winning author of fantasy fiction, including urban fantasy, contemporary magical realism, and mythic fiction. He is best known for his fantasy novels in the Newford series, but he also writes novellas, short stories, poetry, lyrics, literary criticism, and a children’s book. Among his many awards are the Ontario Library Association’s White Pine Award, the Great Lakes Great Books Award, the Canadian SF/Fantasy Award, and the 2000 World Fantasy Award. His evocative novels have earned him a devoted following and critical acclaim as a master of contemporary mythic fiction.
Jennifer Jill Araya has been trained as an opera singer and orchestral cellist, lending a musicality and depth of understanding to her narration that help bring her authors’ stories to life. When she’s not narrating, Jennifer can be found hiking, biking, running, or generally exploring her home city of Cincinnati with her husband, Arturo, and their two children.