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Everything Must Go: The Stories We Tell About the End of the World Audiobook
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A rich, captivating, and darkly humorous look into the evolution of apocalyptic thought, exploring how film and literature interact with developments in science, politics, and culture, and what factors drive our perennial obsession with the end of the world.
As Dorian Lynskey writes, “People have been contemplating the end of the world for millennia.” In this immersive and compelling cultural history, Lynskey reveals how religious prophecies of the apocalypse were secularized in the early 19th century by Lord Byron and Mary Shelley in a time of dramatic social upheaval and temporary climate change, inciting a long tradition of visions of the end without gods.
With a discerning eye and acerbic wit, Lynskey examines how various doomsday tropes and predictions in literature, art, music, and film have arisen from contemporary anxieties, whether they be comets, pandemics, world wars, the Cuban Missile Crisis, Y2K, or the climate emergency. Far from being grim, Lynskey guides readers through a rich array of fascinating stories and surprising facts, allowing us to keep company with celebrated works of art and the people who made them, from H.G. Wells, Jack London, W.B. Yeats and J.G. Ballard to The Twilight Zone, Dr. Strangelove, Mad Max and The Terminator.
Prescient and original, Everything Must Go is a brilliant, sweeping work of history that provides many astute insights for our times and speaks to our urgent concerns for the future.
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"Dorian Lynskey propulsively explores our fascination with, and hastening of, the end of times through the lenses of literature, art, science, pop culture, and religion. The result is a mosaic transhistorical portrait of our obsession with our own demise that is, in turns, hilarious and harrowing. A cautionary tale and wild ride, both entertaining and scholarly, Everything Must Go is a brilliant examination of the interrelationship between our apocalyptic stories and our apocalyptic actions."
— Matthew Gavin Frank, author of Flight of the Diamond Smugglers
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I was blown away by this book. The staggering range of references, the razor-sharp analysis, the wisdom, left me gasping out loud at times. Lynskey also somehow manages to make a book about the end of the world feel . . . hopeful. One of the best non-fiction writers around.
— Sathnam Sanghera, author of Empireworld -
Impossibly epic, brain-expanding, life-affirming and profound. You’ll never see humanity the same way again.
— Ian Dunt, author of How Westminster Works -
Clever and voluminous. . . . So engagingly plotted and written that it’s a pleasure to bask in its constant stream of remarkable tidbits and illuminating insights.
— The Guardian (UK) -
A major piece of work, [a] heavyweight yet fleet-of-foot look at humankind’s fixation on the end of days, told through literature, popular art, science and more, as compelling as it is authoritative.
— The Telegraph (UK) -
A fascinating guide. . . . Full of less-known cultural gems.
— New Scientist (UK) -
Lynskey has a journalist’s eye for a great story and a killer quotation. . . . He is ridiculously well informed.
— Literary Review (UK) -
Everything Must Go will make you happy to be alive and reading. . . . Brilliant.
— The Spectator (UK) -
“For a book drenched in destruction, Everything Must Go is not depressing, and often wryly funny. It is incredibly deeply researched, fluently written, moving deftly between close-up detail and broad-bush analysis.
— The Arts Desk (UK) -
“So enjoyable, that I didn’t want it to end—the world, or the book.
— Adam Rutherford, author of A Brief History of Everyone Who Ever Lived -
Sweeping. . . . Lynskey’s astute analysis excels at teasing out the existential concerns that have animate artists over the course of millennia. Readers won’t want this to end.
— Publishers Weekly, starred review -
The end is just around the corner—and has been for thousands of years. . . . [An] entertaining journey through the many theories of imminent Armageddon. . . . With dry wit, Lynskey connects these apocalypse fantasies to modern culture and human nature.
— Kirkus Reviews, starred review -
In this exploration of the cultural phenomenon of apocalypse, Lynskey shows that modern humans are not the first to be convinced that they are witnessing one. . . . With rich analysis and a remarkable level of research, Everything Must Go allows readers to feel a connection with generations past and offers a new lens through which to approach our current moment.
— Booklist -
I was blown away by this book. The staggering range of references, the razor-sharp analysis, the wisdom, left me gasping out loud at times. Lynskey also somehow manages to make a book about the end of the world feel . . . hopeful. One of the best non-fiction writers around.
— Sathnam Sanghera, author of Empireworld
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About Dorian Lynskey
DORIAN LYNSKEY is the music critic for The Guardian, and has been writing about music, film and politics for over twenty years. His first book, 33 Revolutions per Minute: A History of Protest Songs (Ecco), was published in 2011.