“A kind of apocalyptic Super Size Me” (The Guardian) that is both “page turning and thoughtful” (Financial Times) about “prepper” communities around the world that are building fortresses against an array of threats.
Currently, 3.7 million Americans call themselves preppers. Millions more prep without knowing it. Bradley Garrett, who began writing this book years before the 2020 Covid-19 pandemic, argues that prepping is a rational response to global, social, and political systems that are failing to produce credible narratives of continued stability. Left with a sense of foreboding fueled by disease outbreaks, increasing government dysfunctionality, eroding critical infrastructure, nuclear brinksmanship, and an accelerating climate crisis, people all over the world are responding predictably—by hunkering down.
Garrett traveled across four continents to meet those who are constructing panic rooms, building underground backyard survival chambers, stockpiling supplies, preparing go bags, hiding inflatable rafts, rigging mobile “bugout” vehicles, and burrowing deep into the earth. He has returned with “a big-thinking, deep-diving, page-turning study of fear, privilege, and apocalypse” (Robert Macfarlane, author of Underland) from the frontlines of the way we live now: an illuminating reflection on our age of disquiet and dread that brings our times into new and sharper focus.
With scenes that are “fascinating, amusing, crazy, chilling, and surreally topical” (Douglas Preston, author of Lost City of the Monkey God), Garrett shows that the bunker is all around us: in malls, airports, gated communities, the vehicles we drive. Most of all, he reveals, it’s in our minds.
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Adam Sims, Earphones Award–winning narrator, is an actor who trained at the London Academy of Music and Dramatic Art. His recordings for radio include Wenny Has Wings, The World According to Humphrey, and The Salamander Letter, all for the BBC. Film and theater credits include Band of Brothers on HBO; Lost in Space and The Madness of George III at the West Yorkshire Playhouse; Alice in Wonderland with the Royal Shakespeare Company; A Midsummer Night’s Dream at Regent’s Park; and Snake in Fridge at the Royal Exchange Theatre, for which he won the award for Best Actor at the Manchester Evening News Theatre Awards.