In this taut and explosive debut novel, one lapse in judgment lands a young mother in a government reform program where custody of her child hangs in the balance.
Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.
Until Frida has a very bad day.
The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion.
Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.
A searing page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages. Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.
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“Narrator Catherine Ho quickly immerses listeners…[and] holds the listener captive…Her exquisite narration channels a heartbreaking, terrifying, and prescient story that leaves the listener gutted. Winner of the AudioFile Earphones Award.”
— AudioFile
“A remarkable, propulsive novel…The book feels horrifyingly unbelievable and eerily prescient all at once.”
— Vogue“Leav[es] no stone unturned in its allusion to the real-life legal assaults constraining women today…Impossible to put down and impossible to forget.”
— Library Journal (starred review)“A dark satire that's also a dramatic women-in-prison story…An enthralling dystopian drama that makes complex points about parenting with depth and feeling.”
— Kirkus Reviews (starred review)“Enthralling…Woven seamlessly throughout are societal assumptions and stereotypes about mothers, especially mothers of color…A powerful story, made more so by its empathetic and complicated heroine."
— Publishers Weekly (starred review)“Haunting and unforgettable.”
— Liz Moore, New York Times bestselling authorBe the first to write a review about this audiobook!
Jessamine Chan’s short stories have appeared in Tin House and Epoch. A former reviews editor at Publishers Weekly, she holds an MFA from Columbia University’s School of the Arts and a BA from Brown University. Her work has received support from the Elizabeth George Foundation, the Bread Loaf Writers’ Conference, the Wurlitzer Foundation, the Jentel Foundation, the Kimmel Harding Nelson Center, the Anderson Center, the Virginia Center for the Creative Arts, and the Ragdale Foundation. She lives in Philadelphia with her husband and daughter.
Feodor Chin, an AudioFile Earphones Award–winning narrator, is an actor classically trained at the American Conservatory Theater and UCLA. His acting career includes numerous credits in film, television, theater, and voice-over.