" 86 pages and read in one sitting, billed as an epilogue to the first trilogy of the Zuckerman saga, I thought it was a nice little coda to where we left Nathan in The Anatomy Lesson, "shackled" to his "corpus" (his body in pain; his soul ridden with guilt; his profession as a writer; his search of "his story" and the empathy of people, in general and that of his characters), providing a bit of closure for him as well as for us, as he concludes his search for the lost manuscripts of a Jewish writer, killed by the Nazis, here in Prague, finding that "No, one's story isn't a skin to be shed -- it's inescapable, one's body and blood. You go on pumping it out till you die, the story veined with the themes of your life, the ever-recurring story that's at once your invention and the invention of you." As a novella, The Prague Orgy isn't really that enthralling, and the story itself isn't especially moving; but as a coda to the greater ideas of the Zuckerman trilogy, and the greater ideas of Roth himself as he continues to tackle his issues with his Jewish heritage, his own personal history, and a writer's challenge to portray a deeper understanding of the human condition while being limited "to write what one knows," this provides a fitting resolution to the conflicts begun with The Ghost Writer and sets up Zuckerman as well as Roth himself (as well as serving to answer the critics, Zuckerman's and his own) for future writings and the continued exploration of his established themes. "
— Ryan, 1/28/2014