No one skewers the popular movements of American culture like Tom Wolfe. In 1975, he turned his satirical pen to the pretensions of the contemporary art world, a world of social climbing, elitist posturing, and ingeniously absurd self-justifying theorizing. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. In the process he debunks the great American myth of Modern Art in an incandescent, hilarious, and devastating blast. Wolfe's style has never been more dazzling, and his wit never more keen.
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“In this reading Harold N. Cropp shows considerable artistry. He conveys erudition while maintaining a youthful, hip vivacity. Cropp may be too restrained to consistently capture Wolfe’s relentless, derisive edge, but he does give the presentation the proper cynical slant and moves it along crisply.”
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