The Lost Books of the Odyssey: A Novel Audiobook

Quotes

• “Though Simon Vance doesn't play a lute, he is a bard, or maybe the Classics professor everyone wishes to have had, as he spins these revisionist tales of Odysseus and his travels.

  — AudioFile

• Reading Zachary Mason's forthcoming The Lost Books of the Odyssey, I've been in danger of missing my subway stop . . . Funny, spooky, action-packed, philosophical--the mood keeps shifting, and you keep wanting to read just one more.

  — Barnes and Noble Review

• [A] literary adventure in which everything--the hero, the author, even the reader--is up for grabs . . . The epic as kaleidoscope.

  — Kirkus Reviews

• Though none of these brilliantly conceived revisions fits neatly into Homer's classic poem, each resonates with something of the artistic vigor of the ancient original . . . A daring and successful experiment in fictional technique.

  — Booklist

• These imaginary lost books of The Odyssey enhance Homer's epic tale with alternative scenarios and viewpoints. A finalist this year for the New York Public Library's Young Lions Award, Mason employs clear, crisp prose and a clever sense of humor to propel the action briskly . . . A paean to the power of storytelling.

  — Library Journal

• Mason's fantastic first novel, a deft reimagining of Homer's Odyssey, begins with the story as we know it before altering the perspective or fate of the characters in subsequent short story–like chapters . . . This original work consistently surprises and delights.

  — Publishers Weekly (starred review)

• Mason's delightful, inventive collection takes the raw materials of Homer--wily Odysseus, faithful Penelope, wrathful Poseidon--and then recombines, warps and twists elements of his well-worn tale.

  — Philadelphia City Paper

• A stirring revelation: Zachary Mason's astounding glosses of the Odyssey plunge us into an unforeseeable and hypnotic dimension of fiction. Of the three possible interpretations of the work that he proposes--Homeric stories anciently reproduced by recombining their components, a Theosophist dream of abstract mathematics, and pure illusion (that is, it was all made up by him)--the result is one and the same. This enthralling book is his doing, whether as translator, conjuror, or author. I vote for number three.

  — Harry Mathews, author of My Life in CIA

• Spellbinding. In his versions of these ancient myths, Mason twists and jinks, renegotiating the journey to Ithaca with all the guile and trickery of Odysseus himself. Rarely is it so reassuring to be in the hands of such an unreliable narrator.

  — Simon Armitage, author of The Odyssey: A Dramatic Retelling of Homer's Epic

• A subtle, inventive, and moving meditation on the nature of story and what Louis MacNeice calls ‘the drunkenness of things being various.'

  — John Banville, Booker Prize–winning author of The Sea

• [The Lost Books of the Odyssey] is, to my surprise, a wonderful book. I had expected it to be rather preening, and probably thin. But it is intelligent, absorbing, wonderfully written, and perhaps the most revelatory and brilliant prose encounter with Homer since James Joyce.

  — Simon Goldhill, The Times Literary Supplement

• [A] dazzling debut . . . Stunning and hypnotic . . . Mr. Mason . . . has written a series of jazzy, post-modernist variations on the Odyssey, and in doing so he's created an ingeniously Borgesian novel that's witty, playful, moving and tirelessly inventive . . . This is a book that not only addresses the themes of Homer's classic--the dangers of pride, the protean nature of identity, the tryst between fate and free will--but also poses new questions to the reader about art and originality and the nature of storytelling.

  — Michiko Kakutani, The New York Times