" I found the book very disappointing. There are so few highly celebrated female painters (e.g. Georgia O'Keeffe, Emily Carr, Frida Kahlo). I was hoping it would be more of a celebration of Tamara de Lempicka rather than a skewering. She is not a favorite painter of mine, but there is no way not to appreciate the art deco style and her mastery of painting for the male gaze. The judgmental portrayal of her as ruthless and money grubbing is simplistic. Throughout history, artists sought out wealthy patrons and prostrated their work before them - Mozart, Bach, Michelangelo. Sometimes the patrons were dukes, other times bishops and in her case a baron. De Lempicka was no different, yet this books seems to judge her harshly because she was good at manipulating the feelings of others, as do all great artists. That is the point of art. She was self centered - but, again, is anyone who stares at their own work for hours at a time or plays the same piece of music over and over again capable of not being self centered? I was hoping for an imaginary romp through one of my favorite time periods, Paris in the 20's, filled with amazing artists pushing boundaries and living free of many social inhibitions. Oh well. "
— Linda, 2/1/2014