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A satisfying romp . . . Takes place against a backdrop rich with period detail . . . Works wonderfully as an entertainment . . . As it charges forward, the novel leaves no dot unconnected.
— Noah Hawley, The New York Times Book Review
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This captivating historical novel illuminates a fascinating American moment.
— People
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A fascinating portrait of American inventors . . . Moore crafts a compelling narrative out of [Paul] Cravath’s cunning legal maneuvers and [Nikola] Tesla’s world-changing tinkering, while a story line on opera singer Agnes Huntington has the mysterious glamour of The Great Gatsby. . . . Moore weaves a complex web. . . . He conjures Gilded Age New York City so vividly, it feels like only yesterday.
— Entertainment Weekly
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A model of superior historical fiction . . . Graham Moore digs deep into long-forgotten facts to give us an exciting, sometimes astonishing story of two geniuses locked in a brutal battle to change the world. . . . [A] brilliant journey into the past.
— The Washington Post
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Devil in the White City fans, you'll adore this one. . . . Secret societies, private spites, vast fortunes—this book has it all. But the way all its stories fit together at the end will make you realize that everyone was playing their own game all along. But of course, only one will win.
— Refinery 29
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A marvelous legal thriller set in a magical time when inventions were truly wonders, [Moore] knows how to grab your attention and not let go. . . . This is historical fiction at its very best. . . . The Last Days of Night is just as crackling as the electricity at its very core.
— Fredericksburg Free Lance-Star
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Moore’s writing is sharp and as energized as his topic. . . . This is a riveting book that will hold your attention and will illuminate many on the birth of light in America. Part legal thriller, part romance, injected with a history lesson. Worth the read.
— Historical Novel Society
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Mesmerizing, clever, and absolutely crackling, The Last Days of Night is a triumph of imagination. Graham Moore has chosen Gilded Age New York as his playground, with outsized characters—Edison, Tesla, Westinghouse—as his players. The result is a beautifully researched, endlessly entertaining novel that will leave you buzzing.
— Gillian Flynn, author of Gone Girl
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In The Last Days of Night, Graham Moore takes us back to the dawn of light—electric light—into a world of invention and skulduggery, populated by the likes of Edison, Westinghouse, Tesla, and the novel’s hero, a young lawyer named Paul Cravath (a name that will resonate with ambitious law students everywhere). It’s part legal thriller, part tour of a magical time—the age of wonder—and once you’ve finished it, you’ll find it hard to return to the world of now.
— Erik Larson, author of The Devil in the White City
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The Last Days of Night is a wonder, a riveting historical novel that is part legal thriller, part techno-suspense. This fast-paced story about the personal and legal clash over the invention of the light bulb is a tale of larger-than-life characters and devious doings, and a significant meditation on the price we as a society pay for new technology. . . . Thoughtful and hugely entertaining.
— Scott Turow
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“As narrated by Johnathan McClain, [this] is the best kind of can’t-turn-it-off listen…McClain, whose Cravath has an enthusiastic mid-American persona, creates equally imaginative vocal portraits of Edison, Westinghouse, and Tesla and believably colors several different women. Nicely marrying his pace and tone to each scene, and offering an easy narrative voice, McClain creates a superb audio experience. Winner of the AudioFile Earphones Award.”
— AudioFile
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“A riveting historical novel that is part legal thriller, part techno-suspense…Hugely entertaining.”
— Scott Turow, #1 New York Times bestselling author
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“Mesmerizing, clever, and absolutely crackling.”
— Gillian Flynn, #1 New York Times bestselling author