Handsome, wealthy, and a veteran of service in India, Captain Edward Ashburnham appears to be the ideal "good soldier" and the embodiment of English upper-class virtues. But for his creator, Ford Madox Ford, he also represents the corruption at society's core. Beneath Ashburnham's charming, polished exterior lurks a soul well-versed in the arts of deception, hypocrisy, and betrayal. Throughout the nine years of his friendship with an equally privileged American, John Dowell, Ashburnham has been having an affair with Dowell's wife, Florence. Unlike Dowell, Ashburnham's own wife, Leonora, is well aware of it.
When The Good Soldier was first published in 1915, its pitiless portrait of an amoral society dedicated to its own pleasure and convinced of its own superiority outraged many readers. Stylistically daring, The Good Soldier is narrated, unreliably, by Dowell, through whom Ford provides a level of bitter irony. Dowell's disjointed, stumbling storytelling not only subverts linear temporality to satisfying effect, it also reflects his struggle to accept a world without honor, order, or permanence. Called the best French novel in the English language, The Good Soldier is both tragic and darkly comic, and it established Ford as an important contributor to the development of literary modernism.
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"I liked it. I have been pondering this book a bit since I finished it and - admittedly I struggled with the complex plot, the writing, the endless description of a series of affairs and their upsetting consequences on the lives of nearly every character throughout the novel - I now realize that there isn't a perfect linear understanding of the reality within this story. Truth is illusive, truth is slippery and kaleidoscopic. It changes and tries to stay just a half step away from our sensory organs and their conspiratorial alliance with our reasoning organ and its faculties and components. The truth was never to be known. It was always going to be frustrated and disastrous. Sound familiar?"
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Jason (4 out of 5 stars)