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Extended Audio Sample The Fever: A Novel Audiobook, by Megan Abbott Click for printable size audiobook cover
3 out of 53 out of 53 out of 53 out of 53 out of 5 3.00 (1 ratings) (rate this audio book) Author: Megan Abbott Narrator: Caitlin Davies, Kirby Heyborne, Joe Barrett Publisher: Hachette Book Group Format: Unabridged Audiobook Delivery: Instant Download Audio Length: Release Date: June 2014 ISBN: 9781619697164
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A chilling story about guilt, family secrets, and the lethal power of desire

The panic unleashed by a mysterious contagion threatens the bonds of family and community in a seemingly idyllic suburban community.

The Nash family is close-knit. Tom is a popular teacher, father of two teens: Eli, a hockey star and girl magnet, and his sister Deenie, a diligent student. Their seeming stability, however, is thrown into chaos when Deenie’s best friend is struck by a terrifying, unexplained seizure in class. Rumors of a hazardous outbreak spread through the family, school, and community.

As hysteria and contagion swell, a series of tightly held secrets emerges, threatening to unravel friendships, families, and the town’s fragile idea of security.

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Quotes & Awards

  • [Abbott] is a skilled storyteller, and The Fever is a gripping and unsettling novel. Hannah Tennant-Moore, The New York Times Book Review
  • Like her stunning 2012 book, Dare Me, Abbott's new novel focuses on teenage girls and the damage they can do. . . . In spare, ferocious language, Abbott captures their energy. . . The beauty of Abbott's writing, and the skilled way she weaves the men's lesser narratives into Deenie's story, make this a standout in contemporary crime fiction. Megan Abbott knows what girls are made of. The Boston Globe
  • This smart thriller about the dynamics of panic keeps you guessing till the last scene. Good Housekeeping
  • A hypnotic combination of Stephen King at his most suburban and Judy Blume at her most terrifying. The Austin American Statesman
  • The sinuous, liquid prose is evocative and startling, and Abbott's ability to delve into teenagers' psyches is true and clear. Library Journal
  • Abbott grounds the story in unsettling realism-the characters sound and act like real adolescents with real problems. Entertainment Weekly
  • Lord of the Flies set in a high-school cheerleading squad...Tense, dark, and beautifully written. Gillian Flynn, author of Gone Girl
  • Megan Abbott, an Edgar-winning crime writer, drew inspiration from Lord of the Flies for her sexy and sinister new novel, Dare Me, which lays bare the cruel, confused longings of a group of high-school cheerleaders, and is the perfect way to forget yourself on a turbulent transatlantic flight. Maud Newton, New York Times Magazine
  • Dare Me hurtles past the glitter and angst of high-school cheerleading, right to the bruising inner struggles of adolescence. New York Magazine
  • Make no mistake, this is no pulpy teenage tale: It's a very grown-up look at youth culture and how bad behavior can sometimes be redeemed by a couple of good decisions. Sara Nelson, O, the Oprah Magazine
  • A heady tale of high-school drama with grown-up stakes...Abbott's rendering of the power-plays, rites of bonding and twisted loyalties of teenage girls is pitch-perfect. As much as Dare Me is page-turning murder mystery, it is also an ode to the dark side of girlhood friendship and all its twisted loyalties. Mythili Rao, The Daily Beast
  • Megan Abbott has cornered the 'dark desires of teenage girls' territory too, with Dare Me. Sarah Weinman, Salon
  • Megan Abbott has been called the Queen of Noir...Her new novel, Dare Me, is something of a switch for Abbott in that it's about a cheerleading squad, though - trust us - it's still quite hard-boiled...A contemporary novel about a cheerleading squad that somehow manages to be as dark and sinister as any of Abbott's fiction. Sherryl Connely, New York Daily News
  • With The Fever, Megan Abbott has created a mesmerizing, modern portrait of teenage life today: Brutal crushes, competing allegiances and first-bloom sensuality, all magnified by the rush and crush of technology. The Fever holds true to its title: It's dark, disturbing, strangely beautiful and utterly unshakeable. Gillian Flynn, author of Gone Girl
  • "The Fever is a potboiler in the truest, best sense of that devalued word: Its ingredients are expertly combined, patiently agitated, and heated to an inexorable boil. But it's also a great novel, full stop, without any of the usual genre caveats, and I can think of no higher recommendation than that you'll want to read it twice: First insatiably, speeding through to find out just what's going to happen, and then again slowly, to savor the sharp, dare I say literary, insights about her characters that Abbott effortlessly scatters throughout. Adam Sternbergh, Slate
  • The book to beat...in the 'Is it the next Gone Girl?' sweepstakes.... [Megan Abbot has] exceptional gifts for making nerves jangle and skin crawl.... It's the book's constant throb of horror that keeps it gripping. Janet Maslin, The New York Times
  • [Megan Abbott is] a unique talent with a signature style that gets stronger with every book. With its confident plotting and lyrical prose, The Fever may be her best novel yet. Los Angeles Times
  • Abbott is able to render the texture, ambivalence, and confusion of the inner life of a teen, coupling it with sparse, plain dialogue that highlights the disjunction between the way a teen experiences the world and how he or she can actually articulate that experience. And the plot! It's like a riptide! I was hooked by Page 4. Seriously, Page 4 - the end of the first, highly ambiguous, totally tantalizing mini-chapter that begins the book. I knew, four pages in, that I was ruined for the rest of the day . . . It was delicious. BuzzFeed
  • a chilling new novel set in the emotional world of teenagers...In many ways, the message of THE FEVER is about how these things--ambivalence about sex, insecurities about their appearance and navigating the intensity of female friendships--affect the girls and their families, and how a traumatized community stumbles through a crisis. Elizabeth Blair, NPR
  • Stunning....Nothing should be taken at face value in this jealousy-and hormone-soaked world except that Abbott is certainly our very best guide. Kirkus (Starred Review)
  • The Fever sends chills. Megan Abbott's 'high school noir' is sensual and sinister...atmospheric and compelling...What sets Abbott apart from other mystery scribes is her evocative language. There is drama and a fast-moving narrative, but she skillfully weaves a mounting dread into the novel, as well as a claustrophobic sensuality. You feel as if you're in the heads of each of the teenagers in the fictional town of Dryden, but also privy to the inner life of the adults, as well. The Detroit News
  • If the phenomena that led to the Salem Witch trials were to revisit the world today, it might very well look like the scenario in Megan Abbott's engrossing, disturbing, panic attack of a novel, The Fever. In a time when suicide and pregnancy pacts can go viral, this story of mass hysteria in a high school is not only completely plausible -- it's impossible to put down. Jodi Picoult, New York Times bestselling author of The Storyteller
  • No one understands the social dynamics of teenage girls better than Megan Abbott...settling into The Fever, one realizes that Abbott is setting a rhythm, one that's measured and paced with the brilliance of one of the best living mystery writers. Kevin Nguyen, Grantland
  • "Once again, Abbott makes an unforgettable inquiry into the emotional lives of young people, this time balanced with parents' own fears and failings. It's also a powerful portrait of community, with interesting echoes of The Crucible: it's the twenty-first century, and, in many ways, we're still frightened villagers, terrified of the unknown. Abbott may be on her way to becoming a major writer. Booklist (Starred Review)
  • “With The Fever, Megan Abbott has created a mesmerizing, modern portrait of teenage life today: brutal crushes, competing allegiances and first-bloom sensuality, all magnified by the rush and crush of technology. The Fever holds true to its title: it’s dark, disturbing, strangely beautiful and utterly unshakeable.”

    Gillian Flynn, #1 New York Times bestselling author of Gone Girl

  • “This smart thriller about the dynamics of panic keeps you guessing till the last scene.”

    Good Housekeeping

  • “Make no mistake, this is no pulpy teenage tale: It’s a very grown-up look at youth culture and how bad behavior can sometimes be redeemed by a couple of good decisions.”

    O, The Oprah Magazine

  • “Megan Abbott writes about the madness of adolescence better than anyone. She seems to understand teens’ urgent rush to grow up, to try on adult masks and costumes, and play adult games. But she also knows: in the big game of pretend, there are often grown-up consequences…The Fever is a brilliant and chilling tale of the bewildering age when everything—friendship, love, sex, revenge—feels ‘new and terrifying and significant.’ To survive it? It’s heartbreaking.”

    Amazon.com, editorial review

  • “Megan Abbott is a seasoned, Edgar Award–winning author with exceptional gifts for making nerves jangle and skin crawl. She is also skilled at turning teenage sexuality into cause for squirming…The Fever is all about innuendo, which Ms. Abbott handles expertly from the first page onward.”

    New York Times

  • “[Megan Abbott is] a unique talent with a signature style that gets stronger with every book. With its confident plotting and lyrical prose, The Fever may be her best novel yet.”

    Los Angeles Times

  • “Like her stunning 2012 book, Dare Me, Abbott’s new novel focuses on teenage girls and the damage they can do…In spare, ferocious language, Abbott captures their energy…The beauty of Abbott’s writing, and the skilled way she weaves the men’s lesser narratives into Deenie’s story, make this a standout in contemporary crime fiction. Megan Abbott knows what girls are made of.”

    Boston Globe

  • The Fever is a potboiler in the truest, best sense of that devalued word: Its ingredients are expertly combined, patiently agitated, and heated to an inexorable boil. But it’s also a great novel, full stop, without any of the usual genre caveats, and…[with] sharp, dare I say literary, insights about her characters that Abbott effortlessly scatters throughout."

    Slate

  • “A chilling new novel set in the emotional world of teenagers...In many ways, the message of The Fever is about how these things—ambivalence about sex, insecurities about their appearance, and navigating the intensity of female friendships—affect the girls and their families and how a traumatized community stumbles through a crisis.”

    NPR

  • The Fever sends chills. Megan Abbott’s ‘high school noir’ is sensual and sinister...atmospheric and compelling...What sets Abbott apart from other mystery scribes is her evocative language. There is drama and a fast-moving narrative, but she skillfully weaves a mounting dread into the novel, as well as a claustrophobic sensuality. You feel as if you’re in the heads of each of the teenagers in the fictional town of Dryden but also privy to the inner life of the adults, as well.”

    Detroit News

  • “The lives of teenage girls are dangerous, beautiful things in Abbott’s stunning seventh novel...Nothing should be taken at face value in this jealousy and hormone soaked world except that Abbott is certainly our very best guide.”

    Kirkus Reviews (starred review)

  • “Once again, Abbott makes an unforgettable inquiry into the emotional lives of young people, this time balanced with parents' own fears and failings. It's also a powerful portrait of community, with interesting echoes of The Crucible: it's the twenty-first century, and, in many ways, we're still frightened villagers, terrified of the unknown. Abbott may be on her way to becoming a major writer.”

    Booklist (starred review)

  • “Abbott’s new novel about a mysterious illness that strikes high school girls is performed by a trio of narrators: Caitlin Davies (the teen daughter), Kirby Heyborne (the older teen son), and Joe Barrett (the father, a science teacher). This casting works wonderfully to illustrate the alternating points of view in the novel. The combination of styles emphasizes the generational differences between these characters as well as their varying perception of events. Davies embodies the drama of the high school girl, which contrasts with the apathy of the teen boy. Barrett exudes the age and wisdom of the father as well as his rose-colored impression of his children. The novel itself is anticlimatic, but the performances make this audiobook engaging.”

    AudioFile

  • A New York Times Editor’s Choice
  • A June 2014 Entertainment Weekly “Must Read”
  • A School Library Journal Best Book of 2014
  • One of Kirkus Reviews’ Best Books of 2014
  • Winner of the International Thriller Writers Award for Best Hardcover Novel
  • An Amazon Best Book of 2014
  • A School Library Journal Top Pick for Adult Audiobooks for Teens
  • A BookPage Top Pick for July 2014
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About the Author
Author Megan Abbott

Megan Abbott is an Edgar Award–winning author of several novels. She received her PhD in English and American literature from New York University and has taught literature, writing, and film studies at New York University, the New School, and the State University of New York at Oswego. Her writing has appeared in Salon, the Guardian, the New York Times, and the Los Angeles Review of Books. She lives in New York City.

About the Narrators

Caitlin Davies is a New York City–based actor and audiobook narrator. She has performed in New York and regional theaters and has studied acting at the Eugene O’Neill National Institute, the British American Drama Academy, and the Barrow Group. Always a lover of books, she decided to combine her English degree and her acting experience and took director Paul Ruben’s audiobook narration class. She immediately fell in love with the medium and one week after completing the course was hired for her first audiobook. Just a few weeks later she was hired for her second. She specializes in audiobooks for teens and young adults.

Kirby Heyborne is a musician, actor, and professional narrator. Noted for his work in teen and juvenile audio, he has garnered numerous Earphones Awards. His audiobook credits include Jesse Kellerman’s The Genius, Cory Doctorow’s Little Brother, and George R. R. Martin’s Selections from Dreamsongs.

Joe Barrett has appeared both on and off Broadway as well as in hundreds of radio and television commercials. He has earned multiple AudioFile Earphones Awards and has been nominated for the prestigious Audie Award. He has narrated books by such authors as Trevanian, Brian Freeman, Don Winslow, and James W. Huston.