While searching for a stolen artifact, the notorious Mr R has his attention caught by the unlikeliest of treasures. Stumbling upon his dowdy cousin Elinor on the Continent, Theo Ravenhurst hardly believes his luck. His dangerous lifestyle appears to have finally caught up with him, and her family connections could be put to excellent use. Theo is convinced Elinor's drab exterior disguises a fiery, passionate nature. He gives her the adventure she's been yearning for-and along the way discovers she has talents beyond his wildest imagination.
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"A fun romance with a bit of mystery thrown in. The deliberate miscommunication between the hero & heroine grew tedious, unfortunately, but didn't destroy the story overall. " — Karla (4 out of 5 stars)
"A fun romance with a bit of mystery thrown in. The deliberate miscommunication between the hero & heroine grew tedious, unfortunately, but didn't destroy the story overall. "
" A fun romance with a bit of mystery thrown in. The deliberate miscommunication between the hero & heroine grew tedious, unfortunately, but didn't destroy the story overall. "
" A discussion of sex toys in historical romance seemed out of place. Maybe I am just old fashioned. "
Louise Allen is the author of over sixty historical romances and also of time-slip historical mystery romances, historical mysteries, and nonfiction. The Regency is her passion, an endlessly fascinating era full of contrast and change, danger and elegance, luxury and squalor. Women had freedoms that would shock their Victorian granddaughters, yet lived within social codes that both intrigue and appall us now. Men in society could win fortunes at the turn of a card and lose their lives in the hazard of a duel all in the space of twenty-four hours. It is all so different, with the glamour of the past gilding it—and yet the characters seem to reach out and touch us now. Find out more at www.louiseallenregency.com and discover the Regency world at http://janeaustenslondon.com Twitter: @LouiseRegency
Maggie Ollerenshaw’s theater work is extensive, ranging from several Alan Ayckbourn roles, to Martha in Edward Albee’s Who’s Afraid of Virginia Woolf? Similarly, her many television credits cover Open All Hours and The House of Eliott, to a BAFTA nomination for her performance in Last of the Summer Wine. She has written for radio and has written and performed a one-woman musical play about Vera Lynn titled Yours Sincerely.
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