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The Devil All the Time Audiobook

The Devil All the Time Audiobook, by Donald Ray Pollock Play Audiobook Sample
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Read By: Mark Bramhall Publisher: Random House Audio Listen Time: at 1.0x Speed 6.17 hours at 1.5x Speed 4.63 hours at 2.0x Speed Release Date: July 2011 Format: Unabridged Audiobook ISBN: 9780307941367

Quick Stats About this Audiobook

Total Audiobook Chapters:

81

Longest Chapter Length:

09:59 minutes

Shortest Chapter Length:

13 seconds

Average Chapter Length:

06:48 minutes

Audiobooks by this Author:

3

Other Audiobooks Written by Donald Ray Pollock: > View All...

Publisher Description

Now a Netflix film starring Tom Holland and Robert Pattinson A dark and riveting vision of 1960s America that delivers literary excitement in the highest degree.  In The Devil All the Time, Donald Ray Pollock has written a novel that marries the twisted intensity of Oliver Stone’s Natural Born Killers with the religious and Gothic over­tones of Flannery O’Connor at her most haunting. Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right. Donald Ray Pollock braids his plotlines into a taut narrative that will leave readers astonished and deeply moved. With his first novel, he proves himself a master storyteller in the grittiest and most uncompromising American grain.

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"I really liked how, even though this story appeared to be, at first, a series of loosely related vignettes, it eventually morphed into an examination of the ways that people's lives can brutally, miserably intersect. Nothing good happens to anyone in this book, so it's definitely not for the faint of heart, or for people who expect a happy ending. But there's no guarantee that life will ever be pretty, especially not for the kind of poor, working class people who populate this novel, and these people are rarely ever addressed in fiction the way that they are here."

— Aaron (5 out of 5 stars)

Awards

  • Selected for the July 2011 Indie Next List
  • A 2011 Publishers Weekly Top 10 Book for Fiction
  • A 2011 Washington Post Notable Book for Fiction

The Devil All the Time Listener Reviews

Overall Performance: 3.7586206896551726 out of 53.7586206896551726 out of 53.7586206896551726 out of 53.7586206896551726 out of 53.7586206896551726 out of 5 (3.76)
5 Stars: 11
4 Stars: 9
3 Stars: 4
2 Stars: 1
1 Stars: 4
Narration: 5 out of 55 out of 55 out of 55 out of 55 out of 5 (5.00)
5 Stars: 1
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Story: 5 out of 55 out of 55 out of 55 out of 55 out of 5 (5.00)
5 Stars: 1
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Write a Review
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Story Rating: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " An extremely dark story with interesting characters. Not for the faint of hearts. "

    — Craig, 9/24/2020
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " What an ugly book. "From what Hank had seen of the man, he probably deserved killing..." In this line lies the problem of the whole novel. This is a character ruminating about a man he barely knows. This novel has nothing to do with realism, but somehow, it seems to want to be realistic. I don't believe that real people have thoughts like this. If there are people like this, I'm not interested in reading about their lives. There's nothing to explore here. All the characters are hateful and violent and it's all right there on the surface. There are an astonishing number of people murdered and no one seems to remark on it. I know other readers will cry "southern gothic" and "noir," but I'd like to know what larger idea is being explored here. What truth about life is being revealed with all this grotesquerie? I couldn't find it and somehow I can in O'Connor and Chandler. The violence is copious, yes, but gratuitous in that it makes little sense. Why on earth does Willard decide offering blood sacrifices to the prayer log is a good idea? Why does he keep on? It did not once prove efficacious. Then I realized that's what a southern gothic novel required. And all the sex recalls pornography in its bizarre and silly distortion of reality—all the men are donkey-dicked and the women are constantly getting bent over and/or sodomized (getting bent over is very big in this novel). I don't know if Pollock hates his characters but he certainly doesn't believe any good of them, which amounts to the same thing. I guess Arvin is the exception, but he's so ridiculously altruistic and inexplicably sentimental about his childhood home that he seemed like a cardboard cutout. Oh, and he murders a bunch of people, too. I read "Knockemstiff" and had the same feeling—a collection of stories about a bunch of depraved lowlifes with primal urges making disastrous decisions. I want to like this guy's stuff. I like dark fiction and stories about desperate people. I've heard him interviewed and seen him read and he seems like a kind and intelligent person. I just can't figure out why he can't manage to enlist my sympathy. "

    — Ted, 2/15/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " some really beautiful writing sprinkled throughout, but this one beats you over the head with seemingly senseless violence (including lots and lots of rape), without much of an exploration into the motivations and repercussions of that violence. worth a read if you like cormac mccarthy, and have a tough stomach for bleak fiction. "

    — Stephanie, 2/8/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This is undoubtedly a good piece of fiction, but it was simply too violent and depraved for my taste. It makes me want to read something light and fluffy with a happy ending. "

    — Bibliophile, 2/4/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Bizarre but excellent (as if those two charecterists are exculisive of each other!!!). Dark Visions indeed, from Southern Ohio! "

    — Jim, 2/3/2014
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Interesting story. Reminds me of Crimes in Indiana. Not really any redeemable characters. Not one that I could connect with. "

    — Margi, 1/28/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I'm maybe an hour out from the last paragraph but I feel like I'm still there. Donald Ray Pollock's got himself gold, here. "

    — Chris, 1/22/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This is a dark, gritty, violent book. If that is something you are in to, it is a real page turner. If it isn't, well, you have been warned. "

    — Dianna, 1/4/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " great story, fantastic writer. I am looking forward to reading more by this author. "

    — Kelley, 1/3/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Donald Ray Pollock can be counted among the classic American authors. "

    — Teresa, 12/24/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Couldn't put this down. Intriguing and tragic, one of the most atmospheric books I've ever read. "

    — Tristan, 12/21/2013

About Donald Ray Pollock

Donald Ray Pollock, recipient of the 2009 PEN/Bingham Fellowship, made his literary debut in 2008 with the critically acclaimed story collection, Knockemstiff.  He worked as a laborer at the Mead Paper Mill in Chillicothe, Ohio, from 1973 to 2005.  He holds an MFA from Ohio State University. His work has appeared in, among other publications, Epoch, Granta, and the New York Times.

About Mark Bramhall

Mark Bramhall has won the prestigious Audie Award for best narration, more than thirty AudioFile Earphones Awards, and has repeatedly been named by AudioFile magazine and Publishers Weekly among their “Best Voices of the Year.” He is also an award-winning actor whose acting credits include off-Broadway, regional, and many Los Angeles venues as well as television, animation, and feature films. He has taught and directed at the American Academy of Dramatic Art.