James Weldon Johnson's emotionally gripping novel is a landmark in black literary history and, more than eighty years after its original anonymous publication, a classic of American fiction. The first fictional memoir ever written by a black, The Autobiography of an Ex-Colored Man influenced a generation of writers during the Harlem Renaissance and served as eloquent inspiration for Zora Neale Hurston, Ralph Ellison, and Richard Wright. In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans.
Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century—from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast. This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color.
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"I believe every child in the South should read this book as part of Southern history. We learned about the Civil War in school, and about Reconstruction. Depending upon the teacher you got, the middle of the nineteenth century was either required material, a glorious period in Southern history, or a terrible era of U.S. history. In either way, the symbolism of the period always seemed to overshadow its reality. What Johnson does so well is to make his main character real, while still presenting the debates (the color question, as he often puts it) of the time. Johnson's observations about Southerners, white and black, and the South are some of the most insightful observations I have ever read about my region. Several of these passages struck me, but the most presient observations occurred as the narrator rode a train to Georgia, and listened to a debate about race conducted by several men in the smoking car (it is in this passage that the narrator remarked that Southerners simply have to talk, and strangers put in any confined space will not be strangers for long). It is in this passage that Johnson's narrator admires Southerns "for the manner in which he defends not only his virtues, but his vices." I re-read that sentence over and over--how very well it described Southern history! I highly recommend this book to everyone, but I absolutely recommend it to anyone that has lived in the South and struggled to define that elusive entity that is the American South."
— Tabitha (5 out of 5 stars)
Alan Bomar Jones performs in a smooth voice.
— AudioFile" I don't know whether it's good or bad that 100 years after its initial publication the book is not only relevant but still holds a lot of truth. It's uncomfortably brilliant and should be read, re-read, discussed, and required. "
— Chrysta, 1/17/2014" I enjoyed this book. It was different than what I thought- it only addresses the narrator's "passing" briefly at the end. The book is more about the narrator's experiences with race over the course of his life that ultimately led him to live life as a white man rather than his life living as a white man. This most likely ends up making for a more interesting novel. I was surprised at how often I didn't want to put this book down- not always the case with classic literature. "
— Alexia, 1/11/2014" I read this book for an English course entitled: "The World is a Ghetto." This is an excellent book by James Weldon Johnson. he is also know for writing the "Black National Anthem." "
— Mike, 12/20/2013" A classic example of a narrative of passing from the Harlem Renaissance. Interesting, but historical context is necessary. "
— Jessica, 12/20/2013" The title makes sense in the end which is something I won't reveal, but urge you to discover. In a collection of Negro Classics, James Weldon Johnson offers a unique perspective on life in the USA after the Civil war. Short and well worth reading. "
— Greta, 11/26/2013" Incredibly relevant and accessible for a fictional memoir written over a century ago. "
— Carson, 10/12/2013" just re-read this classic and loved it all over again. the prose is lean and he gets into some really interesting dialectics on race that still hold up some 50 years later. "
— Phillip, 5/27/2013" A classic tale that details a Black man's choice to let go of his race in order for him to survive in early 20th century United States. "
— Nancy, 4/17/2013" When this came out people thought it was really an autobiography and it scared people. Light skinned black man passes as white. "
— Nathan, 4/9/2013" I'm really torn between three and four stars for this book. I really enjoyed the story as a whole, especially the part the main character spends in Europe with his millionaire friend. The book does a great job overall dealing with the "race" issue in the US and showing different perspectives. "
— Rylan, 1/25/2013James Weldon Johnson (1871-1938) was an American author, politician, diplomat, critic, journalist, poet, anthologist, educator, lawyer, songwriter, and early civil rights activist. James is remembered best for his leadership within the NAACP, as well as for his writing, which includes novels, poems, and collections of folklore. His most famous book is The Autobiography of an Ex-Colored Man. He also published The Book of American Negro Spirituals, Black Manhattan, and Negro Americans, What Now? One of the first African American professors at New York University, James also served as a professor of creative literature and writing at Fisk University.
Alan Bomar Jones is an actor and audiobook narrator. He is an award-winning resident artist with the Human Race Theatre Company of Dayton, Ohio, and with the American Stage Theatre Company of St. Petersburg, Florida, and has lent his deep baritone voice to audiobooks such as Marching for Freedom: Walk Together, Children, and Don’t You Grow Weary. Jones and his wife, Becky, live in Dayton, Ohio.