NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • From Pulitzer Prize–winning author Elizabeth Strout comes a “stunner” (People) of a novel about new friendships, old loves, and the very human desire to leave a mark on the world.
“Tell Me Everything hits like a bucolic fable. . . . A novel of moods, how they govern our personal lives and public spaces, reflected in Strout’s shimmering technique.”—The Washington Post
A TIME AND NPR BEST BOOK OF THE YEAR
With her remarkable insight into the human condition and silences that contain multitudes, Elizabeth Strout returns to the town of Crosby, Maine, and to her beloved cast of characters—Lucy Barton, Olive Kitteridge, Bob Burgess, and more—as they deal with a shocking crime in their midst, fall in love and yet choose to be apart, and grapple with the question, as Lucy Barton puts it, “What does anyone’s life mean?”
It’s autumn in Maine, and the town lawyer Bob Burgess has become enmeshed in an unfolding murder investigation, defending a lonely, isolated man accused of killing his mother. He has also fallen into a deep and abiding friendship with the acclaimed writer Lucy Barton, who lives down the road in a house by the sea with her ex-husband, William. Together, Lucy and Bob go on walks and talk about their lives, their fears and regrets, and what might have been. Lucy, meanwhile, is finally introduced to the iconic Olive Kitteridge, now living in a retirement community on the edge of town. They spend afternoons together in Olive’s apartment, telling each other stories. Stories about people they have known—“unrecorded lives,” Olive calls them—reanimating them, and, in the process, imbuing their lives with meaning.
Brimming with empathy and pathos, Tell Me Everything is Elizabeth Strout operating at the height of her powers, illuminating the ways in which our relationships keep us afloat. As Lucy says, “Love comes in so many different forms, but it is always love.”
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"A rich tapestry, intricately wrought yet effortlessly realized, both suspenseful and meditative . . . Suffering and the enduring of it, the human impulse to solve and resolve confronting the fundamental unknowability of others and life’s essential mystery, finding hope, love, and connection in improbable places: Strout’s perpetual preoccupations are here explored with clear sighted rigor, emotional generosity, and bighearted joy."
— The Boston Globe
“A rich tapestry, intricately wrought yet effortlessly realized, both suspenseful and meditative.”
— Boston Globe“Tell Me Everything has all the things, romance and mystery and secrets and even a possible murder, experienced through an examination of the unrecorded lives of just ordinary folks…Strout, is an exquisite writer of the human condition, and there’s a cast of characters that I know you all are going to love.”
— Oprah Daily“Strout reminds us that storytelling can be powerful; that most people’s lives go unrecorded; and that paying witness to everyday events is a gift.”
— Booklist (starred review)A generous, compassionate novel about the human need for connection, understanding and love, and the damage that occurs when those things are denied.
— San Francisco Chronicle[Strout’s] books are really about exploring characters so rich that they reveal more of themselves in book after book after book.
— Minneapolis Star TribuneNo need to have read Strout’s other work to fall in love with this stand-alone story that explores the quiet impact we have on each other every day.
— Real SimpleStrout covers the ghosts of marriages and the indignity of old age with her usual thoughtfulness.
— VultureThis book may be the epitome of literary fun . . . Once again, Strout has managed to compress key histories from her earlier books into a few telling sentences, a miracle of distillation that opens this novel, and the Strout ecosystem, to new and old readers alike.
— Portland Press-HeraldQuietly wonderful and wise.
— AARRejoice, Strout fans . . . the author concerns herself and her characters with the art of narrative . . . a reminder that our mistakes make up our most interesting tales.
— Los Angeles TimesLife, thank goodness, goes on in Strout’s remarkably-crafted world.
— Town and CountryStrout weaves a gossamer-light web of a community’s hopes and setbacks.
— The GuardianStrout superfans will be thrilled to see the prickly protagonist of the author’s Pulitzer Prize–winning Olive Kitteridge . . . finally cross paths with the tender heroine of My Name Is Lucy Barton and Lucy by the Sea. But if you’ve never cracked the spine of a Strout novel before, don’t sweat it—you’ll feel like a Crosby, Maine, local by the end of the first chapter.
— Oprah DailyAnother deeply human and vibrant portrait of relationships, Tell Me Everything will bring the cozy and comforting story that fans have come to expect.
— She ReadsWith tenderness, honesty, intimacy, and compassion, Strout uses her cunning powers of observation to draw readers beyond the mundane to the miraculous complexities where true friendship lies. . . . An absolute must-have.
— Booklist, starred reviewThe narrative threads make for dishy small-town drama, but even more satisfying are the insights Strout weaves into the dialogue. Longtime fans and newcomers alike will relish this.
— Publishers Weekly, starred reviewBe the first to write a review about this audiobook!
Elizabeth Strout is the New York Times bestselling author of numerous award–winning novels, including Olive Kitteridge, winner of the Pulitzer Prize. She has also won the Story Prize, the Los Angeles Times Art Seidenbaum Award, and the Chicago Tribune Heartland Prize. She has been a finalist for the Booker Prize, PEN/Faulkner Award, and the Orange Prize in London.
Kimberly Farr is an actress and winner of numerous AudioFile Earphones Awards for narration. She has appeared on Broadway and at the New York Shakespeare Festival, the Roundabout Theatre, Playwright’s Horizons, and the American Place. She created the role of “Eve” in Arthur Miller’s first and only musical, Up from Paradise, which was directed by the author. She appeared with Vanessa Redgrave in the Broadway production of The Lady from the Sea and has acted in regional theaters across the country, including a performance in the original production of The 1940’s Radio Hour at Washington, DC’s Arena Stage.