NEW YORK TIMES BESTSELLER • An unforgettable cast of small-town characters copes with love and loss in this new work of fiction by #1 bestselling author and Pulitzer Prize winner Elizabeth Strout. Winner of The Story Prize • A Washington Post and New York Times Notable Book • One of USA Today’s top 10 books of the year Recalling Olive Kitteridge in its richness, structure, and complexity, Anything Is Possible explores the whole range of human emotion through the intimate dramas of people struggling to understand themselves and others. Here are two sisters: One trades self-respect for a wealthy husband while the other finds in the pages of a book a kindred spirit who changes her life. The janitor at the local school has his faith tested in an encounter with an isolated man he has come to help; a grown daughter longs for mother love even as she comes to accept her mother’s happiness in a foreign country; and the adult Lucy Barton (the heroine of My Name Is Lucy Barton, the author’s celebrated New York Times bestseller) returns to visit her siblings after seventeen years of absence. Reverberating with the deep bonds of family, and the hope that comes with reconciliation, Anything Is Possible again underscores Elizabeth Strout’s place as one of America’s most respected and cherished authors. Praise for Anything Is Possible “When Elizabeth Strout is on her game, is there anybody better? . . . This is a generous, wry book about everyday lives, and Strout crawls so far inside her characters you feel you inhabit them. . . . This is a book that earns its title. Try reading it without tears, or wonder.”—USA Today (four stars) “Readers who loved My Name Is Lucy Barton . . . are in for a real treat. . . . Strout is a master of the story cycle form. . . . She paints cumulative portraits of the heartache and soul of small-town America by giving each of her characters a turn under her sympathetic spotlight.”—NPR “These stories return Strout to the core of what she does more magnanimously than anyone else.”—The Washington Post “In this wise and accomplished book, pain and healing exist in perpetual dependence, like feuding siblings.”—The Wall Street Journal
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“In an impressive encore performance of Strout’s prose, Kimberly Farr successfully mines the essence of each flawed character, giving hope and pain equal billing without succumbing to theatrics…Farr’s presence melts into the background, allowing the stories themselves to take center stage. This is an audiobook to get lost in. Winner of the AudioFile Earphones Award.”
— AudioFile
“Smart and soulful.”
— Elle“A generous, wry book about everyday lives, and Strout crawls so far inside her characters you feel you inhabit them.”
— USA Today (4 stars)“Nine linked stories…follow a cast of interconnected characters who negotiate their desires and pain, and move past traumas…Thick with details and even more profound in its rendering of the ways we save, or fail to save, one another.”
— New York Times“The thickly interwoven strands of these stories lend the collection the emotional weight of a novel…Strout is masterfully adept at creating believable characters.”
— BookPageBe the first to write a review about this audiobook!
Elizabeth Strout is the New York Times bestselling author of numerous award–winning novels, including Olive Kitteridge, winner of the Pulitzer Prize. She has also won the Story Prize, the Los Angeles Times Art Seidenbaum Award, and the Chicago Tribune Heartland Prize. She has been a finalist for the Booker Prize, PEN/Faulkner Award, and the Orange Prize in London.
Kimberly Farr is an actress and winner of numerous AudioFile Earphones Awards for narration. She has appeared on Broadway and at the New York Shakespeare Festival, the Roundabout Theatre, Playwright’s Horizons, and the American Place. She created the role of “Eve” in Arthur Miller’s first and only musical, Up from Paradise, which was directed by the author. She appeared with Vanessa Redgrave in the Broadway production of The Lady from the Sea and has acted in regional theaters across the country, including a performance in the original production of The 1940’s Radio Hour at Washington, DC’s Arena Stage.