Sweet Tooth Audiobook

Quotes

• “This is a great big beautiful Russian doll of a novel, and its construction—deft, tight, exhilaratingly immaculate—is a huge part of its pleasure…Sweet Tooth is a comic novel and a novel of ideas, but, unlike so many of those, it also exerts a keen emotional pull.”

  — Observer (London)

• “Sweet Tooth takes the expectations and tropes of the Cold War thriller and ratchets up the suspense…A well-crafted pleasure to read, its smooth prose and slippery intelligence sliding down like cream.”

  — Independent (London)

• “A wisecracking thriller hightailing between love and betrayal, with serious counter-espionage credentials thrown in…This is ultimately a book about writing, wordplay, and knowingness.”

  — Telegraph (London)

• “Thoroughly clever…A sublime novel about novels, about writing them and reading them and the spying that goes on in doing both…McEwan has spied on real life to write Sweet Tooth, and in reading it we are invited to spy on him…Rich and enjoyable.”

  — Financial Times

• “A disgraced spy, a failed mission, a ruined lover: Ian McEwan’s new novel, Sweet Tooth, opens at full tilt…The novel’s pleasures are multiple and, as always with McEwan, they begin with the storytelling.”

  — Bloomberg Businessweek

• “McEwan’s most stylish and personal book to date…The year’s most intensely enjoyable novel.”

  — Daily Beast

• “Gloriously readable and, at times, wickedly funny.”

  — Irish Times

• “McEwan writes with his usual clinical precision, brilliantly evoking the London of dingy Camden flats, the three-day week, and IRA atrocities. His assumption of a female persona is pitch-perfect.”

  — Daily Mail (London)

• “McEwan fans won’t be disappointed by Sweet Tooth, and newcomers to the author will be meeting him at the top of his game.”

  — Globe and Mail

• “A subtly and sweetly subversive novel [that is a] masterful manipulation of the relationship(s) between fiction and truth…Britain’s foremost living novelist has written a book as drily funny as it is thoughtful.”

  — Kirkus Reviews (starred review)

• “Juliet Stevenson has a lovely reading voice with a slight British accent that captures the personality of Serena in this first person narration. She convincingly expresses the ambivalence that is tearing Serena apart.”

  — SoundCommentary.com