A highly anticipated, bold new novel from the Pulitzer Prize-winning author of The Hours—three linked visionary narratives set in the ever-mysterious, turbulent city of New York In each section of Michael Cunningham's new book, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story which takes place at the height of the Industrial Revolution, as human beings confront the alienated realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band which is detonating bombs seemingly at random around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth. Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither distance nor place...I am with you, and know how it is." SPECIMEN DAYS is a genre-bending, haunting, and transformative ode to life in our greatest city—a work of surpassing power and beauty by one of the most original and daring writers at work today.
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"8 /10 I found this one slightly hard to get into, especially the last story, but the last ended up being my favourite and I have no regrets. This one was quite experimental for Cunningham and I can't help but admire what I feel is a big risk in writing this book, in the sense that he risked losing quite a few of his fans by experimenting with other genres (sci-fi and police-suspense). I was pleasantly surprised and will not hesitate to read his next work of art!"
— Jamie (4 out of 5 stars)
“[A] superb audio adaptation of Cunningham's vivid coming-of-age tale....Actors Farrell and Roberts--who play Bobby and Jonathan respectively in the Warner Bros. motion picture--fill the same roles here, and both deliver moving, understated performances.
— Publishers Weekly (starred review) on A Home at the End of the WorldCunningham, who received the Pulitzer Prize for The Hours, is a matchless stylist whose eye for character and scene is rendered in immaculate images and metaphors....Succulent prose.
— AudioFile on A Home at the End of the WorldThe pace and rhythm of Cunningham's novel echo Woolf's elliptical writing style. It's a conceit that works. Cunningham is a thoughtful writer.... Hearing a book the way an author hears it is an interesting experience, particularly when it is such an interesting book.
— AudioFile on The HoursA smashing literary tour de force and an utterly invigorating reading experience. If this book does not make you jump up from the sofa, looking at life and literature in new ways, check to see if you have a pulse.
— USA Today on The Hours[Cunningham] has fashioned a fictional instrument of intricacy and remarkable beauty. It is a kaleidoscope whose four shining and utterly unlike pieces--the lives of two fictional characters, of a real writer, and her novel--combine, separate and tumble in continually shifting and startlingly suggestive patterns.
— Richard Eder, Los Angeles Times on The Hours" This was the first book that I read from M.C. I was blown away. There are three seemingly unrelated stories here, but he weaves them together with such a mastery. Its imaginative and well written. "
— Sahel, 2/17/2014" rather weird and bizarre book "
— Fiona, 2/16/2014" Amazing. A collection of stories around New York, some in the past, some in the dystopian future. The first story in particular is richly detailed, powerful and moving. Great writing "
— Carson, 1/20/2014" Michael Cunningham is one of my favorite authors, but I think I missed the boat on this one. "
— Carrie, 1/20/2014" This was my favourite book for a long time. I'm not sure what is now. "
— Adam, 1/16/2014" I found, to my surprise, that I liked the third of these stories, the futuristic science-fiction-y one, the best. The first story almost made me discard this book because I was very frustrated with the character of Simon's brother. I'm glad I continued with the book, though, because the second and third stories were more enjoyable. I liked that the bowl was a constant in the stories and kept expecting it to be quite significant in one of them, but it pleased me that it wasn't. I think I would have gotten more out of this book had I known more about Whitman's "Specimen Days". Ah well. Still a good read. "
— Susan, 1/8/2014" The three sub-books that comprise this innovative novel unfortunately decrease in quality as the chronology advances. The first section, set in the industrial revolution, shows Cunningham on his most solid ground, spinning an eerie ghost story about a boy who hears the whisperings of his dead brother in the factory machines. The second section is nearly as good, a modern thriller about children who are turned into suicide bombers. Unfortunately, Cunningham caps off the triad with a less successful foray into science fiction than never finds its purpose and never really meshes with the rest of the novel. Despite this miscalculation, the first two-thirds are quite good, and worth a read. "
— Scott, 12/31/2013" Three novellas set in three time periods in New York. The characters have the same names and ages and the reader can draw parallels between the stories. Walt Whitman poetry is referenced in each story. "
— Stella, 12/27/2013" I must read Walt Whitman! "
— Veronika, 11/30/2013" 3 long stories, loosely connected, the first of which is one of the best things I've ever read. The only reason I put this down for 4 stars instead of 5 is because the last two stories simply don't hold a candle to the first. I'd even recommending buying this book just to read the first section. "
— Anson, 11/12/2013" I can rarely bear to put a book down unfinished, but I gave up on this one after part 2 of 3. There's an interesting concept behind this book, but it was not terribly well-executed. :( "
— Rebekah, 9/15/2013Michael Cunningham is a novelist, screenwriter, and educator. His novel The Hours received the PEN/Faulkner Award and the Pulitzer Prize for Fiction in 1999. He has taught at Columbia University and Brooklyn College. He is a professor at Yale University.
Alan Cumming is an award-winning actor, singer, writer, producer, and director. He recently starred in an acclaimed one-man staging of Macbeth on Broadway and appears on the Emmy Award–winning television show The Good Wife. Cumming won a Tony Award for his portrayal of the Emcee in the Broadway musical Cabaret. He is the winner of the 2015 Audie Award for Best Autobiography/Memoir narration and Best Narration by the Author Award as well as six Audiofile Earphones Awards. He hosts PBS Masterpiece Mystery and has appeared in numerous films, including Spy Kids, Titus, X2: X-Men United, The Anniversary Party, Any Day Now, and Eyes Wide Shut.