A highly anticipated, bold new novel from the Pulitzer Prize-winning author of The Hours—three linked visionary narratives set in the ever-mysterious, turbulent city of New York In each section of Michael Cunningham's new book, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story which takes place at the height of the Industrial Revolution, as human beings confront the alienated realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band which is detonating bombs seemingly at random around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth. Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither distance nor place...I am with you, and know how it is." SPECIMEN DAYS is a genre-bending, haunting, and transformative ode to life in our greatest city—a work of surpassing power and beauty by one of the most original and daring writers at work today.
Download and start listening now!
"I reallllly like Michael Cunningham's writing. he is incredibly ambitious, but his writing seems effortless and is really beautiful, regardless of what he's writing about. I really liked the second story of this what i guess i'd call a genre mash-up? and i knew the stories were already linked up, so i wasn't too concerned or feel it too heavy handed when there were actual linking objects and ideas from each story in addition to general themes. i think MC is a keen observer of emotions, people and i guess humanity. or at least some of the humanity i hang out with."
— Jesse (4 out of 5 stars)
“[A] superb audio adaptation of Cunningham's vivid coming-of-age tale....Actors Farrell and Roberts--who play Bobby and Jonathan respectively in the Warner Bros. motion picture--fill the same roles here, and both deliver moving, understated performances.
— Publishers Weekly (starred review) on A Home at the End of the WorldCunningham, who received the Pulitzer Prize for The Hours, is a matchless stylist whose eye for character and scene is rendered in immaculate images and metaphors....Succulent prose.
— AudioFile on A Home at the End of the WorldThe pace and rhythm of Cunningham's novel echo Woolf's elliptical writing style. It's a conceit that works. Cunningham is a thoughtful writer.... Hearing a book the way an author hears it is an interesting experience, particularly when it is such an interesting book.
— AudioFile on The HoursA smashing literary tour de force and an utterly invigorating reading experience. If this book does not make you jump up from the sofa, looking at life and literature in new ways, check to see if you have a pulse.
— USA Today on The Hours[Cunningham] has fashioned a fictional instrument of intricacy and remarkable beauty. It is a kaleidoscope whose four shining and utterly unlike pieces--the lives of two fictional characters, of a real writer, and her novel--combine, separate and tumble in continually shifting and startlingly suggestive patterns.
— Richard Eder, Los Angeles Times on The Hours" Giving the man who mangled Virginia Woolf one more chance. Industrial revolution historical novel AND future dystopia in the same book? Bring it on. We'll see. "
— Caty, 2/9/2014" Noble experiment. Some interesting stuff. Ultimately I couldn't connect to this one. "
— Tom, 1/21/2014" Michael Cunningham may be the best prose stylist writing fiction today. Yet the shimmering beauty of his prose is wasted on a world view that borders on nihilistic. Specimen Days, named for a work by Walt Whitman, traces the decline and extinction of humanity from the industrial age, where men and their lives are eaten by machines, through the present where children are turned into monsterous killing machines, to the future where humananity is gone and all that is left on earth is a humanoid cybourg and a dead alien bioform. Man has become machine. Throughout the 3 sections (past, present, and future), Cunningham uses Whitman's celebration of man and nature to contrast with the creeping death of humanity. The writing, the structure of this novel amounts to a tour de force. The message, not so much. "
— Beverly, 1/18/2014" Such a disappointment after the Hours. "
— Shaina, 1/18/2014" As The Hours is one of my all-time favorites, I really wanted to like this. Didn't. It's strange, disjointed and kind of silly. Not being a huge fan of poetry, I did not connect with Walt Whitman the way I did with Virginia Woolf in The Hours. Oh well, Michael Cunningham is still a god in my book. "
— Jennifer, 1/16/2014" I didn't not like this book. "
— Lauren, 12/27/2013" Just awful. How could the author of The Hours and Flesh and Blood think this pile of crap was a good idea? It actually made me angry to read it, and I apologize to my book group for putting them through it. "
— Josh, 12/25/2013" Ok, follow-up to The Hours, has a time leaping and common thread similarity to The Hours, with a past, present and then an extremely futuristic story entwined together. Loved it, but I can see why reviews were so negative, as third story is tough sell. "
— Theo, 12/21/2013" Great writing, great storytelling, fantastically woven together. I really liked this one. "
— Joann, 11/8/2013" I wept at the end of this book. You will like it if you can swallow genre bending forms, a love of Walt Whitman, and have an open mind. I wept, that's all I'll say. "
— Katie, 11/3/2013" loaned to me by a nurse supervisor...walt whitman from manhattan sweatshops to alien nannies "
— Darrell, 10/18/2013Michael Cunningham is a novelist, screenwriter, and educator. His novel The Hours received the PEN/Faulkner Award and the Pulitzer Prize for Fiction in 1999. He has taught at Columbia University and Brooklyn College. He is a professor at Yale University.
Alan Cumming is an award-winning actor, singer, writer, producer, and director. He recently starred in an acclaimed one-man staging of Macbeth on Broadway and appears on the Emmy Award–winning television show The Good Wife. Cumming won a Tony Award for his portrayal of the Emcee in the Broadway musical Cabaret. He is the winner of the 2015 Audie Award for Best Autobiography/Memoir narration and Best Narration by the Author Award as well as six Audiofile Earphones Awards. He hosts PBS Masterpiece Mystery and has appeared in numerous films, including Spy Kids, Titus, X2: X-Men United, The Anniversary Party, Any Day Now, and Eyes Wide Shut.