Inspired by author Tori Telfer’s Jezebel column “Lady Killers,” this thrilling and entertaining compendium investigates female serial killers and their crimes through the ages.
When you think of serial killers throughout history, the names that come to mind are ones like Jack the Ripper, John Wayne Gacy, and Ted Bundy. But what about Tillie Klimek, Moulay Hassan, Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators. In fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference, “There are no female serial killers.”
Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers fourteen gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsébet Báthory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts in cunning, cruelty, and appetite for destruction. Each chapter explores the crimes and history of a different subject and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clichés that inevitably surround her.
The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone, Lady Killers dismisses easy explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch), delving into the complex reality of female aggression and predation. Lady Killers is a bloodcurdling, insightful, and irresistible journey into the heart of darkness.
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“Sarah Mollo-Christensen’s tone blends just the right combination of darkness and light…Mollo-Christensen delivers Telfer’s thoroughly researched accounts of women whose pleasure came from ridding themselves of husbands, children, rivals, and anyone else who stood in their way. Their sexuality, emotional distress, and tendency to brutality illuminates the pathology of these individual women, and Mollo-Christensen is not squeamish when highlighting the graphic, grisly tortures and horrific killings they committed.”
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