"Adjoa Andoh performs much of Housegirl, Michael Donkor's accomplished, affecting debut novel, in sparkling Ghanaian English, immersing listeners in the world of Ghana and the Ghanaian diaspora." — BookPage Nominated for the Edinburgh First Book Award One of The Millions' "Most Anticipated Books of the Year" One of The Guardian's "Best Summer Books" A moving and unexpectedly funny exploration of friendship and family, shame and forgiveness, Michael Donkor's debut audiobook follows three adolescent girls grappling with a shared experience: the joys and sorrows of growing up. Belinda knows how to follow the rules. As a housegirl, she has learned the right way to polish water glasses, to wash and fold a hundred handkerchiefs, and to keep a tight lid on memories of the village she left behind when she came to Kumasi. Mary is still learning the rules. Eleven-years-old and irrepressible, the young housegirl-in-training is the little sister Belinda never had. Amma has had enough of the rules. A straight-A student at her exclusive London school, she has always been the pride of her Ghanaian parents—until now. Watching their once-confident teenager grow sullen and wayward, they decide that sensible Belinda is the shining example Amma needs. So Belinda must leave Mary behind as she is summoned from Ghana to London, where she tries to impose order on her unsettling new world. As summer turns to autumn, Belinda and Amma are surprised to discover common ground. But when the cracks in their defenses open up, the secrets they have both been holding tightly threaten to seep out. Praise for Housegirl: "[Narrator Adjoa Andoh's] creativity especially shines...This is an expertly told story of three interwoven lives." — AudioFile Magazine “Donkor’s dense descriptions of life in Ghana and London capture the dazzling disorientation of a young village girl on her own. Compelling female characters abound" - Library Journal, starred review
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“Narrator Adjoa Andoh will have listeners aching for the lost childhoods of Belinda and Mary as the two child servants work in an upper-middle-class home in Ghana. Her descriptions of the girls’ endless daily chores evoke empathy, while their sisterly antics bring smiles. Andoh delivers the girls’ dialogue in a credible dialect, and the rhythm of her speech helps listeners unfamiliar with the Ghanaian accent. Andoh’s creativity especially shines in her characterization of Mary, a younger, more vibrant version of Belinda. When listeners travel with Belinda to London, they are treated to yet another range of elements in this performance. Andoh contrasts the newly arrived Belinda with the polished tones of Amma, the master’s daughter. This is an expertly told story of three interwoven lives.”
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