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“Atmospheric.”
— Wall Street Journal
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“[A] bewitching story and luscious language…The action is tense and the characters have character, but it’s Locke’s descriptions of this ‘little piece of heaven’ that will make you swoon.”
— New York Times
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“Locke knows how to write a mystery novel that stings…Readers can rejoice that there are has plenty of volumes possible in the future of a mystery series with atmosphere, depth, and boundless compassion for its characters.”
— NPR
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“Locke doubles down on one of the most interesting characters from the trilogy’s first volume.”
— Texas Observer
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“Few suspense novelists display a better grip of political and racial divides than Attica Locke, and she spins a hell of a good story as well, introducing characters and locales you will want to visit again and again.”
— BookPage
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“JD Jackson needs the range of a grand piano to do justice to Attica Locke’s East Texas, and his skills and appealing baritone have it covered…Jackson makes these flawed, believable characters a pleasure to love or hate. Add some antebellum fantasy tourist trap fraudsters, and you have a distinctly uncozy puzzle for our time, beautifully performed.”
— AudioFile
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“This is a beautifully written and instantly gripping crime novel.”
— Booklist (starred review)
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“Locke shows…a facility for unraveling the tangled strands of the Southwest’s cultural legacy and weaving them back together with the volatile racial politics and traumatic economic stresses of the present day.”
— Kirkus Reviews (starred review)
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“Both a fascinating, smartly plotted mystery and a pertinent picture of the contemporary United States…This scintillating murder mystery, set in Trump-era East Texas, with a black main cast and racial concerns, is gripping, gorgeously written and relevant.”
— Shelf Awareness
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“A searing sequel.”
— Publishers Weekly
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Timely and evocative.
— NPR "Fresh Air"
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Captivating.
— People
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Bewitching story and luscious language . . . . The story has legs, the characters have character, and the dialogue has a wonderful regional tang. But it's Locke's descriptive language that gets me.
— New York Times
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Atmospheric . . . Ms. Locke, a canny storyteller, ties up enough strands to satisfy readers, while leaving enough loose ends to make us eager for Ranger Mathews's next adventure in the Lone Star State.
— Tom Nolan, Wall Street Journal
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Locke's beautifully written crime fiction (which also includes "Pleasantville," "Black Water Rising," and "The Cutting Season") have a remarkable immediacy--you breathe with the characters and walk in their paths.
— Seattle Times
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Pulse-pounding.
— Chicago Tribune
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Locke skillfully packs Heaven, My Home with realistic and, at times, uncomfortable situations as she depicts complicated characters. In Darren, Locke has fearlessly shaped a character that constantly walks a tightrope of being a good man with a quest for justice and being an extremely flawed person. . . . [Locke] once again excels in her superior storytelling.
— Oline Cogdill, Associated Press
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With her usual aplomb, Locke tackles history and its all-too-real emotional fallout in this splendid follow-up.
— Boston Globe
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[Locke] has proved that there's demand for stories about black characters. . . . Her books, categorized as mystery or crime, are also unabashedly about black experiences, examining the legacy of black history in the context of modern politics and culture. The crime she really concerns herself with is an existential one: the legacy of America's original sin. The protagonists in her novels are mostly black men, and she writes with the authenticity of a lived experience.
— Madhulika Sikka, Washington Post
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Riveting.
— Philadelphia Inquirer
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Attica Locke has gained a reputation as a marquee literary chronicler of Texas and the South, particularly the parts and people that usually go unnoticed, and one of the hallmarks of her fiction is the insightful way she explores how black and white people can live almost entirely different experiences inside the same time and place. . . . [Heaven, My Home] is a thrilling mystery, yes, but it's also a powerful meditation on what it means to be human in these frightening times.
— Texas Observer
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In this scalp-prickling encore to her Edgar-winning Bluebird, Bluebird, Locke brings back intrepid Texas Ranger Darren Matthews . . . a gumbo of race and class prejudices captured in vivid detail.
— O Magazine
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Attica Locke's novel is masterful. It's a quick read, not in the sense that it is short, but that it goes - and goes fast. It's a page-turner in every way.
— San Francisco Chronicle
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HEAVEN, MY HOME may be complex, but it's worth every blistering word Locke puts on the page. . . . One of the most affecting mysteries of the year.
— Los Angeles Times
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Heaven, My Home is a propulsive and compelling novel [with] passages of gorgeous lyricism, with loving, elegiac evocations of Texas set alongside extended meditations on displacement, reconciliation and forgiveness, and on what 'home' means. Locke suggests that being black in America has meant a constant, disorienting search for terra firma, fighting to claim some piece of the 'fields and prairies that we once tilled until our backs broke and bled", and that this feeling has returned with terrible urgency, or perhaps that it never left.'
— Guardian [UK]
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[Locke is] the most celebrated African-American writer of crime fiction. Although her books are about the black experience in the US, they are universal in scope.
— Financial Times [UK]
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This is a beautifully and instantly gripping crime novel. . . . Locke is one of the emerging stars of crime fiction.
— Booklist, starred review
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In addition to her gifts for tight pacing and intense lyricism, Locke shows with this installment of her Highway 59 series a facility for unraveling the tangled strands of the Southwest's cultural legacy and weaving them back together with the volatile racial politics and traumatic economic stresses of the present day...Locke's advancement here is so bracing that you can't wait to discover what happens next along her East Texas highway.
— Kirkus, starred review
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Locke makes the complex backstory accessible. This one's another Edgar contender.
— Publishers Weekly, starred review
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Few suspense novelists display a better grip of political and racial divides than Attica Locke, and she spins a hell of a good story as well, introducing characters and locales you will want to visit again and again.
— BookPage (starred review)
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Locke's new novel is a mystery ripe for this age. . . . What makes Locke's mysteries so good is her ability to conjure up a mood with vivid prose. Her depiction of Texas is so evocative you can practically hear the beer cans cracking open and smell the swamp water.
— Buzzfeed
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Both a fascinating, smartly plotted mystery and a pertinent picture of the contemporary United States, Heaven, My Home is refreshing, dour and thrilling all at once. Readers will be anxious for more of Ranger Darren Mathews. This scintillating murder mystery, set in Trump-era East Texas, with a black main cast and racial concerns, is gripping, gorgeously written and relevant."—Shelf Awareness
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Locke is brilliant at creating tense mysteries where the setting is as alive, and important, as the characters without distracting-but rather enhancing-the mystery element. You get history, a great mystery, smart twists, rich characters, and a deep exploration of the justice-and injustice-system of our country.
— BookRiot
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Locke is adept at making her crime fiction transcend and become a powerful tool of social commentary, writing about race relations in the Deep South today.
— Philip Cu-Unjieng, Metro Style
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Here, antebellum sympathies abound, and the current political landscape in which the novel is set makes this a heartfelt read on race relations in the south.
— Sheena Kamal, CrimeReads