From the celebrated, award-winning translators of Anna Karenina and The Brothers Karamazov: a lavish volume of stories by one of the most influential short fiction writers of all time.
Anton Chekhov left an indelible impact on every literary form in which he wrote, but none more so than short fiction. Now, renowned translators Richard Pevear and Larissa Volokhonsky give us their renderings of fifty-two Chekhov stories. These stories, which span the complete arc of his career, reveal the extraordinary variety and unexpectedness of his work, from the farcically comic to the darkly complex, showing that there is no one single type of “Chekhov story.” They are populated by a remarkable range of characters who come from all parts of Russia and all walks of life, including landowners, peasants, soldiers, farmers, teachers, students, hunters, shepherds, mistresses, wives, and children. Taken together, they demonstrate how Chekhov democratized the form.
Included in this volume are tales translated into English for the first time, including “Reading” and “An Educated Blockhead.” Early stories such as “Joy,” “Anguish,” and “A Little Joke” sit alongside such later works as “The Siren,” “Big Volodya and Little Volodya,” “In the Cart,” and “About Love.” In its range, in its narrative artistry, and in its perceptive probing of the human condition, this collection promises profound delight.
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"A first-rate collection. . . . Pevear and Volokhonsky select stories—happily, one for each week of the year—that express that devotion to realism, even if sometimes broadly satirically. . . . Encounters between young and old, rich and poor, country and city people mark these stories. . . . It’s a marvel of imagination. A welcome gathering of work, some not often anthologized, by an unrivaled master of the short story form."
— Kirkus Reviews (starred review)
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Anton Chekhov (1860–1904), the author of hundreds of short stories and several plays, is regarded by many as both the greatest Russian storyteller and the father of modern drama. He described the Russian life of his time using a deceptively simple technique devoid of obtrusive literary devices, thereby becoming the prominent representative of the late nineteenth-century Russian realist school. His early stream-of-consciousness style strongly influenced the literary world, including writers such as James Joyce.
Jim Frangione is an actor and audiobook narrator who won AudioFile magazine’s 2011 Best Voice in Mystery and Suspense for his reading of Philip Carter’s The Altar of Bones and Spencer Quinn’s To Fetch a Thief. He has won numerous Earphones Awards and has been was a finalist for the prestigious Audie Award. His theater credits include the off-Broadway production of Scrambled Eggs and the New York premiere of David Mamet’s plays The Old Neighborhood, Romance, and Oleanna, in which he also performed with the national tour. His film and television appearances include Joy, Transamerica, Spartan, Heist, Brotherhood, The Unit, and Law & Order.