Publisher Description
A groundbreaking new vision for public safety that overturns more than 200 years of fear-based discrimination, othering, and punishment
As the effects of aggressive policing and mass incarceration harm historically marginalized communities and tear families apart, how do we define safety? In a time when the most powerful institutions in the United States are embracing the repressive and racist systems that keep many communities struggling and in fear, we need to reimagine what safety means. Community leader and lawyer Zach Norris lays out a radical way to shift the conversation about public safety away from fear and punishment and toward growth and support systems for our families and communities. In order to truly be safe, we are going to have to dismantle our mentality of Us vs. Them. By bridging the divides and building relationships with one another, we can dedicate ourselves to strategic, smart investments—meaning resources directed toward our stability and well-being, like healthcare and housing, education and living-wage jobs. This is where real safety begins.
Originally published in hardcover as We Keep Us Safe: Building Secure, Just, and Inclusive Communities, Defund Fear is a blueprint of how to hold people accountable while still holding them in community. The result reinstates full humanity and agency for everyone who has been dehumanized and traumatized, so they can participate fully in life, in society, and in the fabric of our democracy.
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About Adam Lazarre-White
Adam Lazarre-White, best known for starring as Nathan Hastings on The Young & The Restless, also gained notoriety on Living Single, Girlfriends, Will & Grace, The Parkers, and in the Emmy Award–winning miniseries The Temptations. His other television and film credits include Heroes, Grey’s Anatomy, Private Practice, Deliver Us from Eva, Ocean’s 13, All about You, and Forgiveness. Lazarre-White has many credits as a voice artist on commercial radio, television, and film. He graduated from Harvard and then returned home to New York to train at Terry Schreiber Studios and continue his work on LA stages, notably in Romeo & Juliet, The Trojan Women, and Neil Labute’s This Is How It Goes.