Anti-intellectualism in American Life was awarded the 1964 Pulitzer Prize in Non-Fiction. It is a book which throws light on many features of the American character. Its concern is not merely to portray the scorners of intellect in American life, but to say something about what the intellectual is, and can be, as a force in a democratic society.
Hofstadter set out to trace the social movements that altered the role of intellect in American society from a virtue to a vice. In so doing, he explored questions regarding the purpose of education and whether the democratization of education altered that purpose and reshaped its form.
In considering the historic tension between access to education and excellence in education, Hofstadter argued that both anti-intellectualism and utilitarianism were consequences, in part, of the democratization of knowledge.
Moreover, he saw these themes as historically embedded in America’s national fabric, an outcome of her colonial European and evangelical Protestant heritage. Anti-intellectualism and utilitarianism were functions of American cultural heritage, not necessarily of democracy.
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"As Mr. Hofstadter unfolds the fascinating story, it is no crude battle of eggheads and fatheads. It is a rich, complex, shifting picture of the life of the mind in a society dominated by the ideal of practical success."
— Robert Peel, Christian Science Monitor
“A rich, complex, shifting picture of the life of the mind in a society dominated by the ideal of practical success.”
— Christian Science MonitorBe the first to write a review about this audiobook!
Richard Hofstadter (1916–1970) was DeWitt Clinton Professor of American History at Columbia University and the author of several books, including The Paranoid Style in American Politics, The Age of Reform, and The American Political Tradition. He was twice awarded the Pulitzer Prize.
Adam Verner is a stage, film, television, and voice actor and an Earphones Award–winning audiobook narrator. He holds a BS in theater arts from Bradley University and an MFA from Chicago College of the Performing Arts at Roosevelt University.