A sweeping saga in the vein of Ask Again, Yes following a foster family through almost a decade of dazzling triumph and wrenching heartbreak—from the author of The Orphans at Race Point.
Set in the late 1950s through 1960s in a small town in Massachusetts, All the Children Are Home follows the Moscatelli family—Dahlia and Louie, foster parents, and their long-term foster children Jimmy, Zaidie, and Jon—and the irrevocable changes in their lives when a six-year-old indigenous girl, Agnes, comes to live with them.
When Dahlia decided to become a foster mother, she had a few caveats: no howling newborns, no delinquents, and above all, no girls. A harrowing incident years before left her a virtual prisoner in her own home, forever wary of the heartbreak and limitation of a girl’s life.
Eleven years after they began fostering, Dahlia and Louie consider their family complete, but when the social worker begs them to take a young girl who has been horrifically abused and neglected, they can’t say no.
Six-year-old Agnes Juniper arrives with no knowledge of her Native American heritage or herself beyond a box of trinkets given to her by her mother and dreamlike memories of her sister. As the years pass and outside forces threaten to tear them apart, the children, now young adults, must find the courage and resilience to save themselves and each other. Heartfelt and enthralling, All the Children Are Home is a moving testament to the enduring power of love in the face of devastating loss.
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“A gorgeous and powerful exploration of unconditional love—masterful in scope and saturated with breathtaking truths on every page.”
— Jessica Keener, author of Strangers in Budapest
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Patry Francis is the author of The Liar’s Diary, among others, as well as poetry and short stories that have appeared in the Tampa Review, Antioch Review, Colorado Review, Ontario Review, and American Poetry Review, among other publications. She is a three-time nominee for the Pushcart Prize and has twice been the recipient of the Massachusetts Cultural Council Grant.
Mia Barron has worked at theaters in New York and around the country. Her film and television credits include The Guiding Light and the independent feature The F Word. She has won an AudioFile Earphones Award, and in 2003 she was awarded the Publishers Weekly Listen Up Award for her audiobook narration.
Nora Hunter has narrated several audiobooks, including The Ballad of Aramei by J. A. Redmerski and Beyond This Point Are Monsters by Margaret Miller. Her reading of One for the Murphys won her an AudioFile Earphones Award.
Kimberly Woods is an actress and producer, known for Crazed, Heartprints, and Cartoon Hook-Ups.
Heather Woodhaven earned her pilot’s license, flew a hot air balloon over the safari lands of Kenya, assisted an engineer with a medical laser in a Haitian mission, parasailed over Caribbean seas, lived through an accidental detour onto a black diamond ski trail in the Aspens, and snorkeled among sting rays before becoming a mother of three and wife of one. Heather channels her love for adventure into writing characters who find themselves in extraordinary circumstances.
Lee Samuels (SAG-AFTRA) has lent his deep, “whiskey-smooth” voice to over 200 romance audiobooks; from small-town to suspense, and rom-coms to erotica. With a background in theatre, Lee’s audiobook career began in New York City when his roommate, then working as an audiobook engineer at Recorded Books, offered to help him record a few auditions for her friends’ then-new studio (Brick Shop Audio) in 2011. In his other life, he’s also a New York Times-published writer and author.