Download A Woman in Berlin: Eight Weeks in the Conquered City: A Diary Audiobook

A Woman in Berlin: Eight Weeks in the Conquered City: A Diary Audiobook, by Anonymous Extended Sample Click for printable size audiobook cover
Author: Anonymous Narrator: Isabel Keating Publisher: Macmillan Audio Format: Unabridged Audiobook Delivery: Instant Download Audio Length: Release Date: May 2017 ISBN: 9781427291394
5 out of 55 out of 55 out of 55 out of 55 out of 5 5.00 (1 ratings) (rate this audio book)
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A New York Times Book Review Editors' Choice

For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. "With bald honesty and brutal lyricism" (Elle), the anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. "Spare and unpredictable, minutely observed and utterly free of self-pity" (The Plain Dealer, Cleveland), A Woman in Berlin tells of the complex World War II relationship between civilians and an occupying army and the shameful indignities to which women in a conquered city are always subject--the mass rape suffered by all, regardless of age or infirmity.

A Woman in Berlin stands as "one of the essential books for understanding war and life" (A. S. Byatt, author of Possession).

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Quotes & Awards

  • A work of great power . . . The author is a keen observer of the ironies, even the absurdities, of a collapsing society. . . . A devastating and rare glimpse at ordinary people who struggle to survive. Booklist
  • With the passage of time, Anonymous's perspective--and the extraordinary way she kept her dignity and moral sense alive in an inferno--have made her diary a war classic. Maclean's (Toronto)
  • Marvelous . . . As it is a human instinct to survive, this book, which could have been horrifying, is instead exhilarating: a rare tribute to the human spirit. Daily Mail (U.K.)
  • Coolly written, tearingly honest . . . This is a classic not only of war literature but also of writing at the very extreme of human suffering. The Daily Telegraph (London)

  • Her journal earns a particular place in the archives of recollection. This is because it neither condemns nor forgives: not her countrymen, not her occupiers, and not, remarkably, herself. . . . Stands gritty and obdurate among a swirl of revisionist currents that variously have asserted and disputed the inherent nature of Germans' national guilt . . .To put it briefly, Anonymous writes a merciless account of what individuals can be faced with when all material and social props collapse. The Boston Globe
  • A riveting account of a military atrocity . . . The author doesn't try to explain or moralize the horror. She simply records it as perhaps no one else has, in all of its devastating essence. The New York Observer
  • “Narrator Isabel Keating manages to convey the frustration, hunger, depression, and exhaustion faced by the author, a journalist, who somehow manages to maintain her sanity despite several rapes and a diet of potatoes and nettles…A Woman in Berlin ranks as one of the great historical diaries. Winner of the AudioFile Earphones Award.”

    AudioFile

  • "A WOMAN IN BERLIN ranks as one of the great historical diaries. AudioFile Earphones Award

  • A devastating book. It is matter-of-fact, makes no attempt to score political points, does not attempt to solicit sympathy for its protagonist, and yet is among the most chilling indictments of war I have ever read. Everybody, in particular every woman, ought to read it. Arundhati Roy, Booker Prize-winning author of The God of Small Things
  • A tract essential for our often morally fuzzy times . . . It is destined to be a classic. San Francisco Chronicle
  • Let Anonymous stand witness as she wished to: as an undistorted voice for all women in war and its aftermath, whatever their names or nation or ethnicity. Anywhere. Los Angeles Times
  • An astonishing record of survival . . . the voice of Anonymous emerges as both shrewd and funny . . . a fresh contribution to the literature of war. Entertainment Weekly (grade: A)
  • A richly detailed, clear-eyed account of the effects of war and enemy occupation on a civilian population . . . She has written, in short, a work of literature, rich in character and perception. Joseph Kanon, The New York Times Book Review
  • Unflinchingly honest . . . Its frank documentation of German suffering--the hunger and uncertainty as well as the widespread rape--illuminates a subject whose worldwide taboo is just beginning to subside. The Village Voice
  • A brilliant and powerful work. Newsday
  • What makes the book an essential document is its frank and unself-conscious record of the physical and moral devastation that accompanied the war. . . . The diarist's emotional register remains unfailingly calm. Her dispassionate chronicle of the disasters of war suggests a kind of stoic heroism. . . . Remarkable. Salon.com
  • A stunning account of a German woman's battle to survive repeated rape at the hands of the victors among the ruins of Berlin . . . While leaders plot their dreams of glory and victory, the lives of ordinary people--on all sides--are trampled and destroyed. A most salutary work. David Hare, The Guardian (U.K.)
  • The author has a fierce, uncompromising voice, and her book should become a classic of war literature. Publishers Weekly
  • Books can transform us. So very few do. A Woman in Berlin is one that can. Dayton Daily News
  • An ALA Notable Book for 2006
  • AudioFile Earphones Award Winner
  • New York Times Book Review Editor’s Choice
  • Winner of ALA Notable Books - Winner, 2006

Listener Reviews

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  • 5 out of 55 out of 55 out of 55 out of 55 out of 5 Rydog | 9/13/2018

    " Even still to this day Russians who were there will deny any rape ever took place. They were just humanitarians there to help. I think we know the truth now. "

About the Narrator

Isabel Keating has earned several AudioFile Earphones Awards for her audiobook narration and twice been a finalist for the prestigious Audie Award for best narration. As an actress, she garnered a Drama Desk Award, Theatre World Award, and a Tony nomination for her critically acclaimed 2004 Broadway performance as Judy Garland in The Boy from Oz. She was awarded the Helen Hayes Award for Best Actress in 2000 for her portrayal of Flora Crewe in Tom Stoppard’s Indian Ink.