With The Blazing World, internationally best­selling author Siri Hustvedt returns to the New York art world in her most masterful and urgent novel since What I Loved. Hustvedt, who has long been celebrated for her "beguiling, lyrical prose" (Sunday Times), tells the provocative story of the artist Harriet Burden. After years of watching her work ignored or dismissed by critics, Burden conducts an experiment she calls "maskings": She presents her own art behind three male masks, concealing her female identity.
The three solo shows are successful, but when Burden finally steps forward triumphantly to reveal herself as the artist behind the exhibitions, there are critics who doubt her. The public scandal turns on the final exhibition, initially shown as the work of acclaimed artist Rune, who denies Burden's role in its creation. What no one doubts, however, is that the two artists were intensely involved with each other. As Burden's journals reveal, she and Rune found themselves locked in a charged and dangerous game that ended with the man's bizarre death.
Ingeniously presented as a collection of texts compiled after Burden's death, The Blazing World unfolds from multiple perspectives. The exuberant Burden speaks—in all her joy and fury—through extracts from her own notebooks, while critics, fans, family members, and others offer their own conflicting opinions of who she was and where the truth lies.
From one of the most ambitious and interna­tionally renowned writers of her generation, The Blazing World is a polyphonic tour de force. An intricately conceived, diabolical puzzle, it explores the deceptive powers of prejudice, money, fame, and desire. Emotionally intense, intellectually rigorous, ironic, and playful, Hustvedt's new novel is a bold, rich masterpiece, one that will be remembered for years to come.
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“Larger-than-life Harry reads vociferously, loves fervently, and
overflows with intellectual and creative energy….Hustvedt dissects the
art world with ironic insight….This is a funny, sad, through-provoking,
and touching portrait of a woman who is blazing with postfeminist fury
and propelled by artistic audacity.”
—
Publishers Weekly