A historian of gender explores the complicated relationship between womanhood and motherhood
In an era of falling births, it’s often said that millennials invented the idea of not having kids. But history is full of women without children: some who chose childless lives, others who wanted children but never had them, and still others—the vast majority, then and now—who fell somewhere in between. Modern women considering how and if children fit into their lives are products of their political, ecological, and cultural moment. But history also tells them that they are not alone.
Drawing on deep research and her own experience as a woman without children, historian Peggy O’Donnell shows that many of the reasons women are not having children today are ones they share with women in the past: a lack of support, their jobs or finances, environmental concerns, infertility, and the desire to live different kinds of lives.
Understanding this history—how normal it has always been to not have children and how hard society has worked to make it seem abnormal—is key, she writes, to rebuilding kinship between mothers and non-mothers and to building a better world for us all.
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“Without Children is the rich, nuanced history of women without children that has been missing from the discourse. O’Donnell Heffington skillfully avoids the trap of pitting women without children against mothers, while showing how the choice to have children has historically been dictated by—you guessed it!—the patriarchy. A necessary book, whatever your parental status is.”
— Doree Shafrir, author of Thanks for Waiting
“Historian Heffington’s incisive debut examines how society demonizes women without children while increasingly failing to provide the supports that make it possible to raise kids sustainably…A cogent and well-supported polemic.”
— Publishers Weekly“Desire, doubt, destiny—there are many reasons for the shape of a family. With clarity and compassion, O’Donnell Heffington offers a timely, refreshingly openhearted study of the choices women make and the cards they’re dealt.”
— Ada Calhoun, author of Why We Can’t Sleep“At once bracing and beautiful, Without Children is a timely meditation on all of the reasons why women increasingly can’t, don’t, or won’t have children—and the feminist solidarity we can all build together, whether we have children or not. I was intrigued and carried along for the book’s length by O’Donnell Heffington’s lyricism, thoughtfulness, humor, and panache.”
— Kate Manne, author of Entitled“A woman with children is a mother. A woman without children has no name. Without Children, written with warmth and insight and layered with deeply personal stories, tells us this woman in fact has many names, faces, and identities—all worth knowing.”
— Lara Bazelon, author of Ambitious Like a Mother“I devoured this book. O’Donnell Heffington is the rare serious historian who writes with verve and humor, bringing to life the big, hard questions of history that illuminate the present. Without Children is a signal contribution to the historical field and a vivid series of stories that are alternately shocking, funny, and inspiring.”
— Kathleen Belew, author of Bring the War HomeBe the first to write a review about this audiobook!
Peggy O’Donnell Heffington is an instructional professor of history at the University of Chicago and teaches on feminism, women’s movements, and human rights. Her writing can be found in Jezebel, the Los Angeles Review of Books, the Boston Globe, and elsewhere. She received her PhD in history from the University of California, Berkeley.
Marguerite Gavin is a seasoned theater veteran, a five-time nominee for the prestigious Audie Award, and the winner of numerous AudioFile Earphones and Publishers Weekly awards. She has been an actor, director, and audiobook narrator for her entire professional career. With over four hundred titles to her credit, her narration spans nearly every genre, from nonfiction to mystery, science fiction, fantasy, romance, and children’s fiction. AudioFile magazine says, “Marguerite Gavin…has a sonorous voice, rich and full of emotion.”