“Stunning . . . A beautiful, sprawling, and generous book. Jansma is a brilliantly talented writer, but he also has a unique insight into what friends mean to one another, and what it means to be part of a city in which you never quite belong, but can’t quite bring yourself to leave. It’s a heartfelt novel, tender and painful and cathartic all at once, and even if the characters belong to New York, the story belongs to us all.” —NPR December, 2008. A heavy snowstorm is blowing through Manhattan and the economy is on the brink of collapse, but none of that matters to a handful of guests at a posh holiday party. Five years after their college graduation, the fiercely devoted friends at the heart of this richly absorbing novel remain as inseparable as ever: editor and social butterfly Sara Sherman, her troubled astronomer boyfriend George Murphy, loudmouth poet Jacob Blaumann, classics major turned investment banker William Cho, and Irene Richmond, an enchanting artist with an inscrutable past. Amid cheerful revelry and free-flowing champagne, the friends toast themselves and the new year ahead—a year that holds many surprises in store. They must navigate ever-shifting relationships with the city and with one another, determined to push onward in pursuit of their precarious dreams. And when a devastating blow brings their momentum to a halt, the group is forced to reexamine their aspirations and chart new paths through unexpected losses. Kristopher Jansma’s award-winning debut novel, The Unchangeable Spots of Leopards, was praised for its “wry humor” and “charmingly unreliable narrator” in The New Yorker and hailed as “F. Scott Fitzgerald meets Wes Anderson” by The Village Voice. In Why We Came to the City, Jansma offers an unforgettable exploration of friendships forged in the fires of ambition, passion, hope, and love. This glittering story of a generation coming of age is a sweeping, poignant triumph.
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“Why did we come to the city, anyway? And why on earth would we ever leave? In Jansma’s able hands, these are and are not metaphors. We came because we are more ourselves as part of a collective. We came to learn our limits. We came so that we might know when to leave. This is a lively, addictive party of a book, and you’re invited.”
— Elisa Albert, author of After Birth
“A tremendous accomplishment: an elegant and deeply moving meditation on friendship and mortality, both fearless and finely wrought. I believe this book will stay with me for a very long time.”
— Emily St. John Mandel, author of Station Eleven“Like A Little Life and The Love Affairs of Nathaniel P., Jansma’s Why We Came to the City shows us, with beauty and insight, what it’s like to be young and smart in this time, and in this place. It’s a major achievement.”
— Darin Strauss, author of Half a LifeBe the first to write a review about this audiobook!
Kristopher Jansma grew up in Lincroft, New Jersey. He received his BA in the Writing Seminars from Johns Hopkins University and an MFA in fiction from Columbia University. Each month he writes a column for Electric Literature’s blog, The Outlet, about literary artifacts and loving books in a digital age. His short stories have appeared in Blue Mesa Review, BOMB, and Opium Magazine. He lives in New York City and is a professor of creative writing at Manahattanville College and SUNY Purchase.
Edoardo Ballerini, an American actor, director, film producer, and multiaward–winning narrator. He has won several Audie Awards for best narration, including for 2019’s Best Male Narrator of the Year. He was named by Booklist as winner of their 2023 Voice of Choice Award, and was named a Golden Voice by AudioFile magazine in 2019. He has narrated over two hundred audiobooks, from classics to modern masters, from bestsellers to the inspirational, from Nobel and Pulitzer Prize winners to spine-tingling series, and much more. In television and film, he is best known for his roles in A Murder at the End of the World, The Sopranos, 24, I Shot Andy Warhol, Dinner Rush, and Romeo Must Die. He is also trained in theater and continues to do much work on stage.