White Men’s Law: The Roots of Systemic Racism Audiobook, by Peter Irons Play Audiobook Sample

White Men’s Law: The Roots of Systemic Racism Audiobook

White Men’s Law: The Roots of Systemic Racism Audiobook, by Peter Irons Play Audiobook Sample
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Read By: Lamarr Gulley Publisher: Blackstone Publishing Listen Time: at 1.0x Speed 9.50 hours at 1.5x Speed 7.13 hours at 2.0x Speed Release Date: January 2022 Format: Unabridged Audiobook ISBN: 9798200855414

Quick Stats About this Audiobook

Total Audiobook Chapters:

18

Longest Chapter Length:

72:55 minutes

Shortest Chapter Length:

03:55 minutes

Average Chapter Length:

47:41 minutes

Audiobooks by this Author:

2

Other Audiobooks Written by Peter Irons: > View All...

Publisher Description

A searing—and sobering—account of the legal and extra-legal means by which systemic white racism has kept Black Americans ‘in their place’ from slavery to police and vigilante killings of Black men and women, from 1619 to the present.

From the arrival of the first English settlers in America until now—a span of four centuries—a minority of white men have created, managed, and perpetuated their control of every major institution, public and private, in American society. And no group in America has suffered more from the harms imposed by white men’s laws than Blacks, with punishment by law often replaced by extra-legal means. Over the centuries, thousands of victims have been murdered by lynching, white mobs, and appalling massacres.

In White Men’s Law, the eminent scholar Peter Irons makes a powerful and persuasive case that Blacks have always been held back by systemic racism in all major institutions that can hold power over them. Based on a wide range of sources, from the painful words of former slaves to test scores that reveal how our education system has failed Black children, this searing and sobering account of legal and extra-legal violence against Blacks peels away the fictions and myths expressed by white racists. The centerpiece of Irons’ account is a 1935 lynching in Fort Lauderdale, Florida. The episode produced a photograph of a blonde white girl of about seven looking at the hanging, bullet-riddled body of Rubin Stacy, who was accused of assaulting a white woman. After analyzing this gruesome murder and the visual evidence left behind, Irons poses a foundational question: What historical forces preceded and followed this lynching to spark resistance to Jim Crow segregation, especially in schools that had crippled Black children with inferior education? The answers are rooted in the systemic racism—especially in the institutions of law and education—that Blacks, and growing numbers of white allies, are demanding be dismantled in tangible ways.

A thought-provoking look at systemic racism and the legal systems that built it, White Men’s Law is an essential contribution to this painful but necessary debate.

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“Mesmerizing and electrifying. Like all of Peter Irons’ prodigious work, White Men’s Law is anchored in scrupulous research and painstaking historical perspective. But this new work is achingly poignant. It is the story of our nation told through law and legal struggle. Every sentence calls out for truth and justice.”

— Congressman Jamie Raskin (MD-8), Member, House Judiciary Committee, Lead Impeachment Manager in the second impeachment of Donald Trump 

Quotes

  • “A well-organized, revealing outline of the ‘reign of White Men’s Law’ in America and a forceful call for ongoing reform.”

    — Kirkus Reviews

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About Lamarr Gulley

JD Jackson is a theater professor, aspiring stage director, and award-winning audiobook narrator. He is a classically trained actor, and his television and film credits include roles on House, ER, Law & Order, Hack, Sherrybaby, Diary of a City Priest, and Lucky Number Slevin. He is the recipient of more than a dozen Earphones Awards for narration and an Odyssey Honor for G. Neri’s Ghetto Cowboy, and he was also named one of AudioFile magazine’s Best Voices of the Year for 2012 and 2013. An adjunct professor at Los Angeles Southwest College, he has an MFA in theater from Temple University.