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3 out of 53 out of 53 out of 53 out of 53 out of 5 3.00 (687 ratings) (rate this audio book) Author: David Peace Narrator: Mark Bramhall Publisher: Blackstone Audio Format: Unabridged Audiobook Delivery: Instant Download Audio Length: Related: The Tokyo Trilogy Release Date:
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On August 15th, 1946, the first anniversary of the Japanese surrender, the partially decomposed bodies of two women are found in the ruins of Zojoji Temple in central Tokyo. They have been raped and strangled—and they are only the first. More will be found killed in the same way—and, it will become clear, by the same hand.

Narrated by the irreverent, angry, despairing yet determined Detective Minami of the Tokyo Metropolitan Police, Tokyo Year Zero tells the riveting, complex story of the hunt for Kodaira Yoshio—known as the Japanese Bluebeard—a decorated former Imperial soldier who raped and murdered at least ten women amidst the turmoil of Tokyo between May 1945 and August 1946. And it is the story of Detective Minami, chasing down, and haunted by, his own memories of atrocities that he can no longer explain or forgive.

It is also a chilling portrait of a city—and a nation—going through a hellish period in its history: the despair and shame of its citizens, the disintegration of the social fabric, the physical devastation of the landscape. The novel takes place in a noir, twilight world, and shows us the terrifying contrast between the polite, highly codified society of Japan and the painful rawness beneath.

A story told with demanding power, written in a telegraphic, darkly lyrical language, shot through with wry humor, unblinking in its vision of the chaos left in the wake of war and of the moral and psychological corruption it engenders—Tokyo Year Zero is blistering and unforgettable, a stunningly original crime novel.

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Quotes & Awards

  • Tokyo Year Zero is part historical stunner, part Kurosawa crime film, an original all the way. David Peace's depiction of a war-torn metropolis both crumbling and ascendant is peerless, and the story itself is beautifully wrought.”

    James Ellroy

  • “David Peace has joined a select group of novelists who are transforming the crime genre with passion and style.”

    George Pelecanos

  • “David Peace is the English James Ellroy.”

    Ian Rankin

  • “Brilliant, perplexing, claustrophobic, and ambiguous…There is constant oscillation between waking and dreaming, past and present, memory and fantasy…At the heart of the novel is the…telling glimpse of the human soul.”

    New York Times Book Review

  • Tokyo Year Zero is Peace’s most accessible work, the culmination of years of fine-tuning his idiosyncratic voice to its truest frequency…What we have here is not just a novel with voice…but also with rhythm, which must be learned and sharpened by the writer and is extraordinarily difficult to get right…Astounding.”

    Los Angeles Times Book Review

  • “British crime fiction’s most exciting new voice in decades.”


  • “The detective’s search for the meaning of the crime is also a search for the meaning of existence in the aftermath of defeat. It is a sign of Peace’s formidable powers as a novelist that he can make us care about his principal character and his society even when it seems as if neither Minami nor Tokyo in its year zero can find redemption in the answers.”

    Telegraph (London)

  • “A writer can be psychologically penetrating, or socially significant, or spooky as hell. Noir novelists drench the whole affair in atmosphere. And then there is David Peace’s method—which is to be all these things, all at once…Once this hellish locomotive of a book hooks onto its tracks it becomes difficult to hop off.”

    San Francisco Chronicle

  • “Peace weaves a thriller that is both a gory psychological whodunit and a meditation on the origins of modern Japan…[his] staccato prose is a perfect instrument for this interior hell…Peace is nothing if not ambitious; he thinks in epic terms.”

    Guardian (London)

  • “Riveting…Peace, whose complex style feels like a cross between Haruki Murakami and James Ellroy, delivers an expressionistic portrait of a harrowing, devastated time and place.”

    Publishers Weekly (starred review)

  • “In [David Peace’s] Occupied City, six readers did an exceptional job. Here, Mark Bramhall is just as effective operating solo. Not only does he create distinctive accented voices for a large, diverse cast—including the depressed, driven Minami; his weary, submissive wife; bombastic bosses; a sarcastic partner and a growling sadistic gang lord—Bramhall vocalizes gun shots and animal sounds. Even more important, he aids the author in summoning a mood of desolation and desperation that falls like fog over a war-ravaged, conquered city.”

    Publishers Weekly (audio review)

  • “Mark Bramhall’s narration is sympathetic, delivering the repetition and wordplay poetically…perfect in style and pace.”


  • Winner of the Publishers Weekly Listen-Up Award in 2010

Listener Opinions

  • 3 out of 53 out of 53 out of 53 out of 53 out of 5 by Chelsea Szendi | 2/15/2014

    " As a scholar of Japanese history, I didn't know if I was supposed to like this book or hate it. My "orientalism alarm" didn't go off too often, though (Peace relies heavily on the scholarship of John Dower, which is a safe way to play) and I found myself really interested in the idea of a murder mystery set in Occupied Japan. The specifics did not make a particularly strong impression on me, however. "

  • 5 out of 55 out of 55 out of 55 out of 55 out of 5 by Ape | 2/12/2014

    " Wow. I am so glad I picked up this book on a whim, because it was just fantastic. I really have to read the next two books in this trilogy when I can get a hold of them. I'd not read anything by David Peace before, although I am familiar with him through the tv/film type series The Red Riding Trilogy (although apparently there were four books and they're better than the tv series - so I've heard). That was a kind of fictional police story/drama with the real life Yorkshire Ripper investigation going on at the same time. And there's all the police corruption and brutality going on as well. Because it's grim up north =). This seems to be in a similar vein, in that there is a real life Japanese serial sex killer going on alongside the fictional story of police detective Minami, as well as police corruption and brutality, gang warfare, backstabbing, and the police system being at the brink of a change when there are massive purges going on through the ranks (people threatened with execution - scary stuff!) and mutterings of human rights coming in, so they can't just hold suspects for however long they feel like with no good reason etc. As well as all of this, Japan has just surrendered and the Americans have moved into town. So Tokyo is a bombed out wreck, having just finished with the war, but the people still suffering and starving, trying to find food by any means necessary. There is just so much going on in this, that really I think it's one of these books you could read several times and get new things out of it with each reading. "

  • 5 out of 55 out of 55 out of 55 out of 55 out of 5 by Vero | 1/30/2014

    " This book gave me chills the inspector is not who he says he is But no one is who they say they are they all live by day. He is investigating A rape and murder case A 18 year old girl who was sexually assaulted and killed the person who committed the crime left her naked in a basement with water gushing out their is a spree of girls getting raped all over Japan. And it is up to the inspector to figure out who this killer is. Little does he know It could be anyone he also has a lover and family who are all dieing little by little This book is full of suffering,misery and conflict I would recommend this book. "

  • 2 out of 52 out of 52 out of 52 out of 52 out of 5 by KJ | 1/23/2014

    " Gripping plot set in one of the most fascinating countries in the world at a riveting point in its history. That's the good news. Then the author inexplicably decides to bury his story under an avalanche of affected and, at times, indecipherable prose. Is the crime novel an appropriate vehicle for post-structuralist meanderings? You be the judge... "

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