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Extended Audio Sample Tokyo Year Zero Audiobook, by David Peace Click for printable size audiobook cover
3.22 out of 53.22 out of 53.22 out of 53.22 out of 53.22 out of 5 3.22 (23 ratings) (rate this audio book) Author: David Peace Narrator: Mark Bramhall Publisher: Blackstone Audio Format: Unabridged Audiobook Delivery: Instant Download Audio Length: Related: The Tokyo Trilogy Release Date: October 2010 ISBN: 9781455198665
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On August 15th, 1946, the first anniversary of the Japanese surrender, the partially decomposed bodies of two women are found in the ruins of Zojoji Temple in central Tokyo. They have been raped and strangled—and they are only the first. More will be found killed in the same way—and, it will become clear, by the same hand.

Narrated by the irreverent, angry, despairing yet determined Detective Minami of the Tokyo Metropolitan Police, Tokyo Year Zero tells the riveting, complex story of the hunt for Kodaira Yoshio—known as the Japanese Bluebeard—a decorated former Imperial soldier who raped and murdered at least ten women amidst the turmoil of Tokyo between May 1945 and August 1946. And it is the story of Detective Minami, chasing down, and haunted by, his own memories of atrocities that he can no longer explain or forgive.

It is also a chilling portrait of a city—and a nation—going through a hellish period in its history: the despair and shame of its citizens, the disintegration of the social fabric, the physical devastation of the landscape. The novel takes place in a noir, twilight world, and shows us the terrifying contrast between the polite, highly codified society of Japan and the painful rawness beneath.

A story told with demanding power, written in a telegraphic, darkly lyrical language, shot through with wry humor, unblinking in its vision of the chaos left in the wake of war and of the moral and psychological corruption it engenders—Tokyo Year Zero is blistering and unforgettable, a stunningly original crime novel.

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Quotes & Awards

  • Tokyo Year Zero is part historical stunner, part Kurosawa crime film, an original all the way. David Peace's depiction of a war-torn metropolis both crumbling and ascendant is peerless, and the story itself is beautifully wrought.”

    James Ellroy

  • “David Peace has joined a select group of novelists who are transforming the crime genre with passion and style.”

    George Pelecanos

  • “David Peace is the English James Ellroy.”

    Ian Rankin

  • “Brilliant, perplexing, claustrophobic, and ambiguous…There is constant oscillation between waking and dreaming, past and present, memory and fantasy…At the heart of the novel is the…telling glimpse of the human soul.”

    New York Times Book Review

  • Tokyo Year Zero is Peace’s most accessible work, the culmination of years of fine-tuning his idiosyncratic voice to its truest frequency…What we have here is not just a novel with voice…but also with rhythm, which must be learned and sharpened by the writer and is extraordinarily difficult to get right…Astounding.”

    Los Angeles Times Book Review

  • “British crime fiction’s most exciting new voice in decades.”

    GQ

  • “The detective’s search for the meaning of the crime is also a search for the meaning of existence in the aftermath of defeat. It is a sign of Peace’s formidable powers as a novelist that he can make us care about his principal character and his society even when it seems as if neither Minami nor Tokyo in its year zero can find redemption in the answers.”

    Telegraph (London)

  • “A writer can be psychologically penetrating, or socially significant, or spooky as hell. Noir novelists drench the whole affair in atmosphere. And then there is David Peace’s method—which is to be all these things, all at once…Once this hellish locomotive of a book hooks onto its tracks it becomes difficult to hop off.”

    San Francisco Chronicle

  • “Peace weaves a thriller that is both a gory psychological whodunit and a meditation on the origins of modern Japan…[his] staccato prose is a perfect instrument for this interior hell…Peace is nothing if not ambitious; he thinks in epic terms.”

    Guardian (London)

  • “Riveting…Peace, whose complex style feels like a cross between Haruki Murakami and James Ellroy, delivers an expressionistic portrait of a harrowing, devastated time and place.”

    Publishers Weekly (starred review)

  • “In [David Peace’s] Occupied City, six readers did an exceptional job. Here, Mark Bramhall is just as effective operating solo. Not only does he create distinctive accented voices for a large, diverse cast—including the depressed, driven Minami; his weary, submissive wife; bombastic bosses; a sarcastic partner and a growling sadistic gang lord—Bramhall vocalizes gun shots and animal sounds. Even more important, he aids the author in summoning a mood of desolation and desperation that falls like fog over a war-ravaged, conquered city.”

    Publishers Weekly (audio review)

  • “Mark Bramhall’s narration is sympathetic, delivering the repetition and wordplay poetically…perfect in style and pace.”

    AudioFile

  • Winner of the Publishers Weekly Listen-Up Award in 2010

Listener Opinions

  • 3 out of 53 out of 53 out of 53 out of 53 out of 5 Chelsea Szendi | 2/15/2014

    " As a scholar of Japanese history, I didn't know if I was supposed to like this book or hate it. My "orientalism alarm" didn't go off too often, though (Peace relies heavily on the scholarship of John Dower, which is a safe way to play) and I found myself really interested in the idea of a murder mystery set in Occupied Japan. The specifics did not make a particularly strong impression on me, however. "

  • 5 out of 55 out of 55 out of 55 out of 55 out of 5 Ape | 2/12/2014

    " Wow. I am so glad I picked up this book on a whim, because it was just fantastic. I really have to read the next two books in this trilogy when I can get a hold of them. I'd not read anything by David Peace before, although I am familiar with him through the tv/film type series The Red Riding Trilogy (although apparently there were four books and they're better than the tv series - so I've heard). That was a kind of fictional police story/drama with the real life Yorkshire Ripper investigation going on at the same time. And there's all the police corruption and brutality going on as well. Because it's grim up north =). This seems to be in a similar vein, in that there is a real life Japanese serial sex killer going on alongside the fictional story of police detective Minami, as well as police corruption and brutality, gang warfare, backstabbing, and the police system being at the brink of a change when there are massive purges going on through the ranks (people threatened with execution - scary stuff!) and mutterings of human rights coming in, so they can't just hold suspects for however long they feel like with no good reason etc. As well as all of this, Japan has just surrendered and the Americans have moved into town. So Tokyo is a bombed out wreck, having just finished with the war, but the people still suffering and starving, trying to find food by any means necessary. There is just so much going on in this, that really I think it's one of these books you could read several times and get new things out of it with each reading. "

  • 5 out of 55 out of 55 out of 55 out of 55 out of 5 Vero | 1/30/2014

    " This book gave me chills the inspector is not who he says he is But no one is who they say they are they all live by day. He is investigating A rape and murder case A 18 year old girl who was sexually assaulted and killed the person who committed the crime left her naked in a basement with water gushing out their is a spree of girls getting raped all over Japan. And it is up to the inspector to figure out who this killer is. Little does he know It could be anyone he also has a lover and family who are all dieing little by little This book is full of suffering,misery and conflict I would recommend this book. "

  • 2 out of 52 out of 52 out of 52 out of 52 out of 5 KJ | 1/23/2014

    " Gripping plot set in one of the most fascinating countries in the world at a riveting point in its history. That's the good news. Then the author inexplicably decides to bury his story under an avalanche of affected and, at times, indecipherable prose. Is the crime novel an appropriate vehicle for post-structuralist meanderings? You be the judge... "

  • 4 out of 54 out of 54 out of 54 out of 54 out of 5 Greenockian | 1/21/2014

    " What an experience this book is. For the first time in my life I ended up feeling sympathy for the Japanese who survived WW2. The abiding memories are of filth, squalor, itching and scratching while eking out an existence. The murders are almost inconsequential - which I would imagine is one of the points Peace is trying to make in the light of events in Manchuria and the dropping of the A bombs on Japan. The only negatives are that some of the style does intrude - repetition is fine if you're learning times tables but there is a limit - and the ending comes in a bit of a blur even after a few re-reads. However I can't wait for the next volume in the trilogy. "

  • 5 out of 55 out of 55 out of 55 out of 55 out of 5 Felicity | 1/20/2014

    " Best book I read this Summer, painful though it was. "

  • 2 out of 52 out of 52 out of 52 out of 52 out of 5 Jen | 1/19/2014

    " Can't say I really enjoyed this novel. The repetitions really stopped the flow of the narrative for me. I had also been expecting a rivetting thriller just the thing for the long train trip home, but it was too literary for my mood on the day. "

  • 5 out of 55 out of 55 out of 55 out of 55 out of 5 Daniel Cunha | 12/30/2013

    " I was quite impressed by this book for many reasons, the foremost being that I really felt like I was inside a japanese mind, despite the author. And even without the post-war destruction and misery and the actual crime itself on which the book centers, its a pretty scary place to be, if only because it is so different from the usual western background, values, thought process. Throw in the rest in this is a difficult book to take in - you can almost see the misery jump out of the pages, and you can most certainly feel the shame in its multiple and seemingly endless layers, more palpable and painful than any physical constraint. I loved the book but have to say getting onto the next in this trilogy (Occupied City) has been taking some time to brace myself. "

  • 4 out of 54 out of 54 out of 54 out of 54 out of 5 Babak Fakhamzadeh | 12/17/2013

    " Claustrophobic, gritty, raw. "

  • 2 out of 52 out of 52 out of 52 out of 52 out of 5 Story | 12/1/2013

    " Heavy and dark. It really embeds the reader into its world. "

  • 4 out of 54 out of 54 out of 54 out of 54 out of 5 Andrez Bergen | 11/17/2013

    " I'm giving this a 4, because the story itself is a gripping one, and because Peace captures Tokyo in 1945/46 so damned well. I could do without the end, however, and I agree that the repetition was, well, too repetitive. But despite these complaints - wow. I'm just majorly depressed now, however. "

  • 2 out of 52 out of 52 out of 52 out of 52 out of 5 Danny | 6/12/2013

    " pretty morbid book with non-conventional dialog and scattered multiple story lines, not really my style. It felt like a chore to read. "

  • 5 out of 55 out of 55 out of 55 out of 55 out of 5 Crankylemming | 4/2/2013

    " Very intense in the way the Red Riding Quartet was, but also excellent in showing the hardships endured in Japan in the immediate aftermath of the Second World War. Awesome - I loved it! "

  • 3 out of 53 out of 53 out of 53 out of 53 out of 5 Phil Thrower | 3/11/2013

    " Complicated but intriguing. We will see what the next one like! "

  • 3 out of 53 out of 53 out of 53 out of 53 out of 5 pinaceae No | 12/16/2012

    " A tough read, rewarding, but sometimes a bit too "artsy". "

  • 1 out of 51 out of 51 out of 51 out of 51 out of 5 Amy Warrick | 4/14/2012

    " I'm neither deep nor arty enough to appreciate this book. It drove me nuts, with the repetition & dreamlike style. I keep reading, not sure why, but I never was sure I knew what was going on. Too sad. Too confusing. Too annoying. "

  • 3 out of 53 out of 53 out of 53 out of 53 out of 5 Casey | 8/9/2011

    " Interesting historical fiction starting from the day Japan surrenders. Though written by a non-Japanese, thoughtful research and attention paid to the character, spirit and post-war mentality of Japan. "

  • 1 out of 51 out of 51 out of 51 out of 51 out of 5 Brian | 1/25/2011

    " I think the...
    I think the...
    I think the...
    repetition
    really
    (i'm bored i'm bored i'm bored i'm bored i'm bored i'm bored)
    tried my patience. "

  • 5 out of 55 out of 55 out of 55 out of 55 out of 5 Philipp | 1/13/2011

    " Sehr spezieller Sprachstil; gibt aber hervorragend die Atmosphäre im Japan der 40er Jahre wieder. Der Kriminalfall an sich, um den es im Buch geht, ist insgesamt eher nebensächlich. "

  • 3 out of 53 out of 53 out of 53 out of 53 out of 5 CC | 10/4/2010

    " Really interesting and thought-provoking, but hard to grasp. You need to read it SLOWLY or you absolutely will miss things. "

  • 3 out of 53 out of 53 out of 53 out of 53 out of 5 Francesca | 9/22/2010

    " My husband read it; thought it was interesting due to the time period/location but the narrative was strangely laid out to the reader. "

  • 3 out of 53 out of 53 out of 53 out of 53 out of 5 DoctorM | 7/19/2010

    " August 1946, a sweltering summer in a devastated city... A grim and very noir detective story set in the ruins of postwar Japan. Peace wants far too much to be James Ellroy, but the setting and the whole atmosphere aren't bad. "

  • 1 out of 51 out of 51 out of 51 out of 51 out of 5 Sean | 6/25/2010

    " I got half way through this and then got bored of it. Maybe I'm impatient, but the plot wasn't very interesting so far and it uses lots of annoying, deliberately repetitive prose throughout. "

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About the Author
Author David Peace

David Peace is the author of the Red Riding Quartet series and was chosen as one of Granta's Best of Young British Novelists in 2003. He is the author of six previous novels, published in the UK: the four novels of the Red Riding Quartet, GB84, and The Damned Utd. He was born and raised in West Yorkshire and now lives in the East End of Tokyo with his wife and children.

About the Narrator

Mark Bramhall has won eighteen AudioFile Earphones Awards and has twice been a finalist for the Audiobook Publishers Association’s prestigious Audie Award for best narration. He has been named by Publishers Weekly and AudioFile magazine among their “Best Voices of the Year” in 2010, 2011, 2012, and 2013. He is also an award-winning actor whose acting credits include off-Broadway, regional, and many Los Angeles venues as well as television, animation, and feature films. He has taught and directed at the American Academy of Dramatic Art.